Record of the Year
 Whitney Houston
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"I Will Always Love You", Whitney Houston |
| Album of the Year |
The Bodyguard - Original Soundtrack Album, Whitney Houston (Arista) |
| Song of the Year |
"A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters |
| Best New Artist |
Toni Braxton |
| Best Pop Vocal Performance, Male |
"If I Ever Lose My Faith in You", Sting |
| Best Pop Vocal Performance, Female |
"I Will Always Love You", Whitney Houston |
| Best Pop Performance By a Duo or Group With Vocal |
"A Whole New World (Theme From Aladdin), Peabo Bryson and Regina Belle |
| Best Traditional Pop Vocal Performance |
Steppin' Out, Tony Bennett |
| Best Pop Instrumental Performance |
"Barcelona Mona", Bruce Hornsby and Branford Marsalis |
| Best Rock Gospel Album |
Free at Last, DC Talk (ForeFront) |
| Best Rock Song |
"Runaway Train", David Pirner, songwriter |
| Best Rock Vocal Performance, Solo |
"I'd Do Anything for Love (But I Won't Do That), Meat Loaf |
| Best Rock Performance By a Duo or Group With Vocal |
"Livin' on the Edge", Aerosmith |
| Best Rock Instrumental Performance |
"Sofa", Zappa's Universe Rock Group Featuring Steve Vai |
| Best Hard Rock Performance With Vocal |
"Plush", Stone Temple Pilots |
| Best Metal Performance With Vocal |
"I Don't Want to Change the World", Ozzy Osbourne |
| Best Alternative Music Album |
Zooropa, U2 (Island) |
| Best Rhythm and Blues Song |
"That's the Way Love Goes", Janet Jackson, James Harris III and Terry Lewis, songwriters |
| Best Rhythm and Blues Vocal Performance, Male |
"A Song for You", Ray Charles |
| Best Rhythm and Blues Vocal Performance, Female |
"Another Sad Love Song", Toni Braxton |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal |
"No Ordinary Love", Sade |
| Best Rap Solo Performance |
"Let Me Ride", Dr. Dre |
| Best Rap Performance By a Duo or Group |
"Rebirth of Slick (Cool Like Dat), Digable Planets |
| Best Jazz Vocal Performance |
Take a Look, Natalie Cole |
| Best Jazz Instrumental Solo |
"Miles Ahead", Joe Henderson |
| Best Jazz Instrumental Performance, Individual or Group |
So Near, So Far (Musings for Miles), Joe Henderson |
| Best Contemporary Jazz Performance (Instrumental) |
The Road to You, Pat Metheny Group |
| Best Large Jazz Ensemble Performance |
Miles and Quincy Live at Montreux, Miles Davis and Quincy Jones |
| Best Country Song |
"Passionate Kisses", Lucinda Williams, songwriter |
| Best Country Vocal Performance, Male |
"Ain't That Lonely Yet", Dwight Yoakam |
| Best Country Vocal Performance, Female |
"Passionate Kisses", Mary Chapin Carpenter |
| Best Country Performance By a Duo or Group With Vocal |
"Hard Workin' Man", Brooks and Dunn |
| Best Country Vocal Collaboration |
"Does He Love You", Reba McEntire and Linda Davis |
| Best Country Instrumental Performance |
"Red Wing", Asleep at the Wheel featuring Eldon Shamblin, Johnny Gimble, Chet Atkins, Vince Gill, Marty Stuart and Reuben "Lucky Orleans Gosfield |
| Best Bluegrass Album |
Waitin' for the Hard Times to Go, Nashville Bluegrass Band (Sugar Hill) |
| Best Traditional Soul Gospel Album |
Stand Still, Shirley Caesar (Word Record and Music) |
| Best Contemporary Soul Gospel Album |
All Out, Winans (Qwest/Warner Alliance) |
| Best Pop/Contemporary Gospel Album |
The Live Adventure, Steven Curtis Chapman (Sparrow) |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album |
Good News, Kathy Mattea (Mercury) |
| Best Gospel Album By a Choir or Chorus |
Live . . .We Come Rejoicing, Brooklyn Tabernacle Choir; Carol Cymbala, choir director (Warner Alliance) |
| Best Latin Pop Album |
Aries, Luis Miguel (WEA Latina) |
| Best Tropical Latin Album |
Mi Tierra, Gloria Estefan (Epic) |
| Best Mexican/American Album |
Live, Selena (Capitol/EMI Latin) |
| Best Traditional Blues Album |
Blues Summit, B.B. King (MCA) |
| Best Contemporary Blues Album |
Feels Like Rain, Buddy Guy (Silvertone) |
| Best Traditional Folk Album |
The Celtic Harp, Chieftains (RCA Victor) |
| Best Contemporary Folk Album |
Other Voices/Other Rooms, Nanci Griffith (Elektra) |
| Best Reggae Album |
Bad Boys, Inner Circle (Big Beat/Atlantic) |
| Best New Age Album |
Spanish Angel, Paul Winter Consort (Living Music) |
| Best World Music Album |
A Meeting by the River, Ry Cooder and V.M. Bhatt (Walter Lily Acoustics) |
| Best Polka Album |
Accordionally Yours, Walter Ostanek and His Band (WRS) |
| Best Arrangement on an Instrumental |
"Mood Indigo", Dave Grusin, arranger |
| Best Instrumental Arrangement Accompanying Vocal(s) |
"When I Fall in Love", Jeremy Lubbock and David Foster, arrangers |
| Best Instrumental Composition |
"Forever in Love", Kenny G, composer |
| Best Musical Show Album |
The Who's Tommy - Original Cast Recording, original cast (RCA Victor) |
| Best Instrumental Composition Written for a Motion Picture or for Television |
Aladdin, Alan Menken, composer |
| Best Song Written for a Motion Picture or for Television |
"A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters |
| Best Contemporary Composition |
Violin Concerto, Elliott Carter, composer |
| Best Classical Album |
Bartók, The Wooden Prince and Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; John Aler, tenor; John Tomlinson, baritone (Deutsche Grammophon) |
| Best Chamber Music Performance |
Ives, String Quartets nos. 1 and 2; Barber String Quartet Op. 11 (American Originals), Emerson String Quartet |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra) |
Berg, Violin Concerto; Rihm, Time Chant, Anne-Sophie Mutter, violinist; James Levine conducting Chicago Symphony Orchestra |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra) |
Barber, The Complete Solo Piano Music, John Browning, pianist |
| Best Orchestral Performance |
Bartók, The Wooden Prince, Pierre Boulez conducting Chicago Symphony |
| Best Opera Recording |
Handel, Semele, John Nelson conducting English Chamber Orchestra and Ambrosian Opera Chorus; solos: Battle, Horne, Ramey, Aler, McNair, Chance, Mackie and Doss (Deutsche Grammophon) |
| Best Performance of a Choral Work |
Bartók, Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; Margaret Hillis, choral director |
| Best Classical Vocal Performance |
The Art of Arleen Auger (Works of Larsen, Purcell, Schumann, Mozart), Arleen Auger, soprano; Joel Revzen, accompanist |
| Best Spoken Comedy Album |
Jammin' in New York, George Carlin (Eardrum/Atlantic) |
| Best Spoken Word or Non-Musical Album |
On the Pulse of Morning, Maya Angelou (Random House Audio Books) |
| Best Musical Album for Children |
Aladdin (Original Motion Picture Soundtrack), various artists (Walt Disney Records) |
| Best Spoken Word Album for Children |
Audrey Hepburn's Enchanted Tales, Audrey Hepburn (Dove Audio) |
| Best Recording Package |
The Complete Billie Holiday on Verve 19451959, David Lau, art director (Verve) |
| Best Album Notes |
The Complete Billie Holiday on Verve 19451959, Buck Clayton, Phil Schaap and Joel E. Siegel, annotators (Verve) |
| Best Historical Album |
The Complete Billie Holiday on Verve 19451959, Billie Holiday (Verve) |
| Best Music Video, Short Form |
"Steam", Peter Gabriel |
| Best Music Video, Long Form |
"Ten Summoner's Tales", Sting |
| Producer of the Year (Non-Classical) |
David Foster |
| Classical Producer of the Year |
Judith Sherman |