Support our efforts, sign up to a full membership!
(Start for free)
Register or login with just your e-mail address
Latin 13/06/2012

Brazilian Vocalist Carol Saboya to Make Her U.S. Solo Debut with "Belezas: The Music of Ivan Lins & Milton Nascimento"

Hot Songs Around The World

Anti-Hero
Taylor Swift
611 entries in 23 charts
Stick Season
Noah Kahan
291 entries in 19 charts
Lovin On Me
Jack Harlow
276 entries in 22 charts
Cruel Summer
Taylor Swift
554 entries in 20 charts
Greedy
Tate McRae
591 entries in 28 charts
Unwritten
Natasha Bedingfield
277 entries in 22 charts
Vois Sur Ton Chemin
Bennett
212 entries in 9 charts
Until I Found You
Stephen Sanchez
214 entries in 16 charts
Lose Control
Teddy Swims
286 entries in 25 charts
Strangers
Kenya Grace
428 entries in 24 charts
Murder On The Dancefloor
Sophie Ellis Bextor
390 entries in 23 charts
Water
Tyla
292 entries in 20 charts
Prada
Casso, Raye & D-Block Europe
458 entries in 19 charts
Houdini
Dua Lipa
269 entries in 26 charts
Brazilian Vocalist Carol Saboya to Make Her U.S. Solo Debut with "Belezas: The Music of Ivan Lins & Milton Nascimento"
Richmond, CA (Top40 Charts/ Terri Hinte Public Relations) Already established as a premier recording artist in her native Brazil and in Japan, with eight albums to her credit, vocalist Carol Saboya is poised to make her U.S. solo debut with the July 10 release of "Belezas: The Music of Ivan Lins and Milton Nascimento." The CD, on the AAM Music label, features guest appearances by saxophonist Dave Liebman and harmonica master Hendrik Meurkens, and was produced and arranged by renowned pianist (and Saboya's father) Antonio Adolfo.

Having previously recorded an album based on the Antonio Carlos Jobim songbook, Saboya decided on a different tack for the new recording. "I thought about great Brazilian composers who are known in the States, and Ivan Lins and Milton Nascimento made sense," she says. "They're modern in a way that's not bossa nova. They have these great harmonies and beautiful melodies, and their music really lends itself to jazz."

On "Belezas" Saboya sings in both Portuguese and English, including a new translation of Lins's "Estrela Guia"—a paean to Nascimento—by the New York Voices' Kim Nazarian that was commissioned by the composer especially for this project. Other Lins songs on the CD are "Abre Alas," a 1970s-era song of protest against the Brazilian military dictatorship; "Doce Presença," with an English lyric by Jane Monheit; and "Soberana Rosa" (She Walks This Earth), which Carol sings in both English (lyric by Brenda Russell) and Portuguese.

Among the Nascimento songs are "Bola de Meia, Bola de Gude" (Sock Ball and Marbles), a lively baião/maracatu that dates from early in Nascimento's career; "Tarde," one of his most magnificent ballads (with Dave Liebman featured on tenor saxophone); "Três Pontas," inspired by the train station in the small Minas Gerais town of Três Pontas, where the composer grew up; and "Beleza e Canção" (Beauty and Song), presented here in a Brazilian afoxé style.

As for the arranger's tasks, "I tried to build this bridge between Milton and Ivan, so you can't tell one from another," Adolfo says. "I brought some of Ivan's harmony style to Milton and vice-versa, those intervals of fourths pioneered by McCoy Tyner and Chick Corea. And in one of Ivan's songs I use phrases from the first song that Milton presented at a festival in 1967. They have much in common. They came to the scene at the same moment, when there was a very strong musical movement."

Saboya is backed by a stellar quartet featuring Antonio Adolfo on piano; bassist Jorge Helder (often heard with Chico Buarque and Maria Bethânia); drummer Rafael Barata (Edu Lobo, Rosa Passos, Mônica Salmaso); and guitarist Claudio Spiewak, who's recorded with a wide range of Latin music stars from Nestor Torres to Elba Ramalho.

"Carol floats with the group with her supple dynamics and her soft, very energetic voice," Adolfo says. "I asked the band not to play grooves like bossa nova. I wanted them to play very freely, and she's like the fifth musician."

In many ways, "Belezas" is Saboya's reintroduction to America, as she spent several formative teenage years living in Los Angeles. The elder of Adolfo's two musical daughters, Saboya, now 37, made her first recording at eight, but began her professional career as an adult on Sergio Mendes's Grammy-winning 1992 album "Brasileiro," recorded during the family's Southern California sojourn. When the family moved back to Rio, Saboya continued to study and refine her craft, releasing an impressive debut album in 1997, "Dança da Voz," which won Brazil's Sharp Prêmio award for Best New Pop (MPB) Singer.

Saboya has released a series of acclaimed albums, including a 1999 session exploring the music of Jobim with guitarist Nelson Faria, "Janelas Abertas." In 2007, father and daughter released the award-winning collaboration, "Antonio Adolfo and Carol Saboya Ao Vivo/Live," a seductive set of Brazilian standards, and followed up with 2010's "Lá e Cá (Here and There)," a session devoted to classic jazz tunes and American Songbook gems. It's a Brazilian artist's love letter to American jazz, a passion that Adolfo passed on to his daughter. (She also guested on two tracks of Adolfo's 2011 CD, "Chora Baião.")

"There are many, many, many great composers here [in Brazil], and it's an honor to be able to sing them," Saboya says. "I can do something different with these songs. It took me a while, but I always knew that Ivan and Milton were there, waiting for me someday."






Most read news of the week


© 2001-2024
top40-charts.com (S4)
about | site map
contact | privacy
Page gen. in 0.7923689 secs // 4 () queries in 0.0043268203735352 secs