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The New York Philharmonic and Music Director
Jaap van Zweden's World Premiere performances of Julia Wolfe's, Fire in my mouth will be released in digital format on August 30, and in physical formats on October 4, on Universal Music/Decca Gold, Universal Music
Group's newly established US classical music label. It is now available for preorder at https://DeccaGold.lnk.to/Fireinmymouth. The release will mark Decca Gold's fifth New York Philharmonic album.
The New York Philharmonic premiered Julia Wolfe's Fire in my mouth, which the Orchestra also co-commissioned, in January 2019, conducted by Jaap van Zweden and featuring The Crossing, conducted by Donald Nally, and the Young People's Chorus of New York City, directed by Francisco J. Núñez. The New York Times called the work "ambitious, heartfelt, often compelling. … There is both heady optimism and a sense of dread in Ms. Wolfe's music. … Mr. van Zweden led a commanding account of a score that … ends with an elegiac final chorus in which the names of all 146 victims are tenderly sung to create a fabric of music and memory." The performance earned the coveted spot in the highbrow / brilliant quadrant of New York magazine's Approval Matrix.
Fire in my mouth was premiered as part of New York Stories: Threads of Our City, the Philharmonic's two-week examination of New York City's roots as a city of immigrants. The work is a reflection on the New York garment industry at the turn of the 20th century through a focus on the 1911 Triangle Shirtwaist Factory fire, which killed 146 garment workers, most of them young immigrants. The title refers not only to the Triangle Shirtwaist Factory fire, but also to Ukrainian immigrant and labor activist Clara Lemlich Shavelson, who, when looking back on her radical youth, said, "Ah, then I had fire in my mouth." The music evokes the roar of hundreds of sewing machines and the language of protest to recreate the world of women working in New York garment factories in the early 20th century, the majority of whom were Jewish and Italian immigrants.
Fire in my mouth was co-commissioned by the New York Philharmonic; Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana- Champaign; and the University Musical Society at the University of Michigan, Ann Arbor. In writing the piece, Julia Wolfe used her signature intensive research methods, drawing on oral histories, speeches, interviews, and historical writings. She workshopped Fire in my mouth with the Philharmonic's three university commissioning partners; campus-wide discussions about history, music, and creative writing informed the work. Fire in my mouth is Julia Wolfe's third work in a series of pieces on the American worker; the others are Steel Hammer, her reimagining of the John Henry legend, and Anthracite Fields, her Pulitzer Prize-winning oratorio about Pennsylvania coal miners, which the New York Philharmonic presented in its New York Premiere in 2014 and the recording of which was nominated for a Grammy for Best Contemporary Classical Composition. Julia Wolfe was awarded a MacArthur Foundation "Genius Grant" in 2016, and Musical America
named her 2019 Composer of the Year.
The New York Philharmonic launched its partnership with Decca Gold in February 2018 with the release of Jaap van Zweden and the Philharmonic's performances of Beethoven's Symphonies Nos. 5 and 7. Subsequent releases include Sing Happy (May 2018), featuring Audra McDonald's 2018 Spring
Gala performance with the Philharmonic; live performances of Stravinsky's Le Sacre
du printemps and Debussy's La Mer (February 2019) from Maestro van Zweden's opening weeks as Music
Director; and Soloists of the New York Philharmonic (May 2019), featuring concertos performed by Concertmaster Frank Huang, Principal Viola Cynthia Phelps, Principal Flute Robert Langevin, Principal Clarinet Anthony McGill, and Principal Trombone Joseph Alessi.
Classics is the US home for European imprints Decca, Decca Classics, Deutsche Grammophon, ECM, and Mercury KX, as well as the US-based label Decca Gold, which serves as the American home for new classical and crossover artists. The revitalized Decca Gold imprint has forged partnerships with the New York Philharmonic, The Van Cliburn International Piano Competition, and Carnegie Hall's Lullaby Project, as well as new artist signings with Bill Murray, Jan Vogler and Friends; Sarah
Brightman; Shulem; Anthony Roth Costanzo; Vocal Point; Il Divo; Nadine
Sierra; and more. The present roster for all of Universal Music
Classics in the US includes Andrea Bocelli, Lang Lang, Max Richter, Renée Fleming, Cecilia Bartoli, Daniil Trifonov, Anna Netrebko, Tori Amos, Ólafur Arnalds, and more.
The New York Philharmonic plays a leading cultural role in New York City, the United States, and the world. Each season the Orchestra connects with up to 50 million music lovers through live concerts in New York and around the world, international broadcasts, recordings, education programs, and the New York Philharmonic Leon Levy Digital
Archives. The 2018-19 season marked Jaap van Zweden's first as Music
Director. The Philharmonic has commissioned and / or premiered works by leading composers from every era since its founding in 1842, including Dvořák's New World Symphony, John Adams's Pulitzer Prize-winning On the Transmigration of Souls, and Wynton Marsalis's The Jungle (Symphony No. 4). This commitment continued in 2018-19, when Jaap van Zweden led the Philharmonic in the World Premieres of commissions by Ashley Fure, Conrad Tao, Louis Andriessen, Julia Wolfe, and David
Lang. A resource for its community and the world, the Philharmonic complements its annual free citywide Concerts in the Parks, Presented by Didi and Oscar Schafer, with Philharmonic Free Fridays, its famed Young People's Concerts, and the Shanghai Orchestra Academy and Partnership. The oldest American symphony orchestra and one of the oldest in the world, the New York Philharmonic has made more than 2,000 recordings since 1917 and produced its first-ever Facebook Live concert broadcast in 2016.
Julia Wolfe's commission was made possible with generous support from Linda
These performances of Fire in my mouth were made possible with generous support from the Francis Goelet Charitable Lead Trusts.
Citi. Preferred Card of the New York Philharmonic.
PurePoint Financial. Season Sponsor of the New York Philharmonic.
Programs are made possible, in part, by the New York State
Council on the Arts with the support of Governor Andrew Cuomo and the New York State