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Features: GRAMMY AWARDS | |
1981:
Grammy Awards, Grammys Music | |
Record of the Year | "Bette Davis Eyes", Kim Carnes | |
Album of the Year |
Double Fantasy, John Lennon and Yoko Ono (Warner Bros/Geffen) | |
Song of the Year | "Bette Davis Eyes", Donna Weiss and Jackie DeShannon, songwriters | |
Best New Artist | Sheena Easton | |
Best Pop Vocal Performance, Male | Breakin Away, Al Jarreau | |
Best Pop Vocal Performance, Female | Lena Horne: The Lady and Her Music Live On Broadway, Lena Horne | |
Best Pop Vocal Performance By a Duo or Group With Vocal | "Boy From New York City", Manhattan Transfer | |
Best Pop Instrumental Performance | "The Theme From Hill Street Blues", Mike Post featuring Larry Carlton | |
Best Rock Vocal Performance, Male | "Jessie's Girl", Rick Springfield | |
Best Rock Vocal Performance, Female | "Fire and Ice", Pat Benatar | |
Best Rock Performance By a Duo or Group With Vocal | "Don't Stand So Close to Me", Police | |
Best Rock Instrumental Performance | "Behind My Camel", Police | |
Best Rhythm and Blues Song | "Just the Two of Us", Bill Withers, William Salter and Ralph MacDonald, songwriters | |
Best Rhythm and Blues Performance, Male | "One Hundred Ways", James Ingram | |
Best Rhythm and Blues Vocal Performance, Female | "Hold On I'm Comin'", Aretha Franklin | |
Best Rhythm and Blues Performance By a Duo or Group With Vocal | The Dude, Quincy Jones | |
Best Rhythm and Blues Instrumental Performance | "All I Need Is You", David Sanborn | |
Best Jazz Vocal Performance, Male | "Blue Rondo a la Turk", Al Jarreau | |
Best Jazz Vocal Performance, Female | Digital III at Montreux, Ella Fitzgerald | |
Best Jazz Vocal Performance, Duo or Group | "Until I Met You (Corner Pocket), Manhattan Transfer | |
Best Jazz Instrumental Performance, Soloist | Bye Bye Blackbird, John Coltrane | |
Best Jazz Instrumental Performance, Group | Chick Corea and Gary Burton in Concert, Zurich, October 28, 1979, Chick Corea and Gary Burton | |
Best Jazz Instrumental Performance, Big Band | Walk on the Water, Gerry Mulligan and His Orchestra | |
Best Jazz Fusion Performance, Vocal or Instrumental | Winelight, Grover Washington, Jr. | |
Best Country Song | "9 to 5", Dolly Parton, songwriter | |
Best Country Vocal Performance, Male | (There's) "No Gettin' Over Me", Ronnie Milsap | |
Best Country Vocal Performance, Female | "9 to 5", Dolly Parton | |
Best Country Performance By a Duo or Group With Vocal | "Elvira", Oak Ridge Boys | |
Best Country Instrumental Performance | Country, After All These Years, Chet Atkins | |
Best Gospel Performance, Contemporary or Inspirational | Priority, Imperials | |
Best Gospel Performance, Traditional | The Masters V, J.D. Sumner, James Blackwood, Hovie Lister, Rosie Rozell and Jake Hess | |
Best Soul Gospel Performance, Contemporary | Don't Give Up, Andrae Crouch | |
Best Soul Gospel Performance, Traditional | The Lord Will Make a Way, Al Green | |
Best Latin Recording | "Guajira Pa la Jeva", Clare Fischer (Pausa) | |
Best Inspirational Performance | Amazing Grace, B.J. Thomas | |
Best Ethnic or Traditional Recording | There Must Be a Better World Somewhere, B.B. King (MCA) | |
Best Arrangement of an Instrumental Recording | "Velas", Quincy Jones and Johnny Mandel, arrangers | |
Best Instrumental Arrangement Accompanying Vocal(s) | "Ai No Corrida", Quincy Jones and Jerry Hey, arrangers | |
Best Vocal Arrangement for Two or More Voices | "A Nightingale Sang in Berkeley Square", Gene Puerling, arranger | |
Best Instrumental Composition | "The Theme From Hill Street Blues", Mike Post, composer | |
Best Cast Show Album | Lena Horne: The Lady and Her Music Live on Broadway, various composers and lyricists (Qwest/Warner Bros.) | |
Best Album of Original Score Written for a Motion Picture or a Television Special | Raiders of the Lost Ark, John Williams, composer (Columbia/CBS) | |
Best Classical Album | Mahler, Symphony No. 2 in C Minor, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London) | |
Best Classical Orchestral Recording | Mahler, Symphony No. 2 in C Minor, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London) | |
Best Chamber Music Performance | Tchaikovsky, Piano Trio in A Minor, Itzhak Perlman, Lynn Harrell and Vladimir Ashkenazy | |
Best Classical Performance, Instrumental Soloist(s) (With Orchestra) | Isaac Stern 60th Anniversary Celebration, Isaac Stern, Itzhak Perlman and Pinchas Zukerman; Zubin Mehta conducting New York Philharmonic Orchestra | |
Best Classical Performance, Instrumental Soloist(s) (Without Orchestra) | The Horowitz Concerts 1979/80, Vladimir Horowitz | |
Best Opera Recording | Janácek, From the House of the Dead, Sir Charles Mackerras conducting Vienna Philharmonic; solos: Zahradnicek, Zitek and Zidek (London) | |
Best Choral Performance (Other Than Opera) | Haydn, The Creation, Neville Marriner conducting Chorus of Academy of St. Martin-in-the-Fields | |
Best Classical Vocal Soloist Performance | Live From Lincoln Center, Sutherland-Horne-Pavarotti, Joan Sutherland, Marilyn Horne and Luciano Pavarotti | |
Best Comedy Recording | Rev. Du Rite, Richard Pryor (Laff) | |
Best Spoken Word, Documentary or Drama Recording | Donovan's Brain, Orson Welles (Radiola) | |
Best Recording for Children | Sesame Country, Muppets, Glen Campbell, Crystal Gayle, Loretta Lynn, Tanya Tucker; Jim Henson (Sesame Street) | |
Best Album Package | Tatoo You, Peter Corriston, art director (Rolling Stones/Atlantic) | |
Best Album Notes | Erroll Garner, Master of the Keyboard, Dan Morgenstern, annotator (Book-of-the-Month Records) | |
Best Historical Album | Hoagy Carmichael: From "Star Dust to "Ole Buttermilk Sky (Book-of-the-Month Records) | |
Video of the Year | "Michael Nesmith in Elephant Parts", Michael Nesmith | |
Producer of the Year (Non-Classical) | Quincy Jones | |
Classical Producer of the Year | James Mallinson |