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Features: GRAMMY AWARDS | |
1982:
Grammy Awards, Grammys Music | |
Record of the Year | "Rosanna", Toto |
Album of the Year | Toto IV, Toto (Columbia) |
Song of the Year | "Always on My Mind", Johnny Christopher, Mark James and Wayne Carson, songwriters |
Best New Artist | Men at Work |
Best Pop Vocal Performance, Male | "Truly", Lionel Richie |
Best Pop Vocal Performance, Female | "You Should Hear How She Talks About You", Melissa Manchester |
Best Pop Performance By a Duo or Group With Vocal | "Up Where We Belong", Joe Cocker and Jennifer Warnes |
Best Pop Instrumental Performance | "Chariots of Fire Theme (dance version), Ernie Watts |
Best Rock Vocal Performance, Male | "Hurts So Good", John Cougar |
Best Rock Vocal Performance, Female | "Shadows of the Night", Pat Benatar |
Best Rock Performance By a Duo or Group With Vocal | "Eye of the Tiger", Survivor |
Best Rock Instrumental Performance | "D.N.A.", A Flock of Seagulls |
Best Rhythm and Blues Song | "Turn Your Love Around", Jay Graydon, Steve Lukather and Bill Champlin, songwriters |
Best Rhythm and Blues Vocal Performance, Male | "Sexual Healing", Marvin Gaye |
Best Rhythm and Blues Performance, Female | "And I Am Telling You I'm Not Going", Jennifer Holliday |
Best Rhythm and Blues Performance By a Duo or Group With Vocal (tie) | "Let It Whip", Dazz Band |
"Wanna Be With You", Earth, Wind and Fire | |
Best Rhythm and Blues Instrumental Performance | "Sexual Healing", Marvin Gaye |
Best Jazz Vocal Performance, Male | An Evening With George Shearing and Mel Tormé, Mel Tormé |
Best Vocal Jazz Performance, Female | Gershwin Livel, Sarah Vaughan |
Best Jazz Vocal Performance, Duo or Group | "Route 66", Manhattan Transfer |
Best Jazz Instrumental Performance, Soloist | We Want Miles, Miles Davis |
Best Jazz Instrumental Performance, Group | "More Live, Phil Woods Quartet |
Best Jazz Instrumental Performance, Big Band | Warm Breeze, Count Basie and His Orchestra |
Best Jazz Fusion Performance, Vocal or Instrumental | Offramp, Pat Metheny Group |
Best Country Song | "Always on My Mind", Johnny Christopher, Mark James and Wayne Carson, songwriters |
Best Country Vocal Performance, Male | "Always on My Mind", Willie Nelson |
Best Country Vocal Performance, Female | "Break It to Me Gently", Juice Newton |
Best Country Performance By a Duo or Group With Vocal | Mountain Music, Alabama |
Best Country Instrumental Performance | "Alabama Jubilee", Roy Clark |
Best Gospel Performance, Contemporary | Age to Age, Amy Grant |
Best Gospel Performance, Traditional | I'm Following You, Blackwood Brothers |
Best Soul Gospel Performance, Contemporary | Higher Plane, Al Green |
Best Soul Gospel Performance, Traditional | Precious Lord, Al Green |
Best Latin Recording | Machito and His Salsa Big Band '82, Machito (Timeless) |
Best Inspirational Performance | He Set My Life to Music, Barbara Mandrell |
Best Traditional Blues Recording | Alright Again, Clarence Gatemouth Brown (Rounder) |
Best Ethnic or Traditional Folk Recording | Queen Ida and the Bon Temps Zydeco Band on Tour, Queen Ida (GNR/Crescendo) |
Best Arrangement on an Instrumental Recording | "Flying", John Williams, arranger |
Best Instrumental Arrangement Accompanying Vocal(s) | "Rosanna", Jerry Hey, David Paich and Jeff Porcaro, arrangers |
Best Vocal Arrangement for Two or More Voices | "Rosanna", David Paich, arranger |
Best Instrumental Composition | "Flying (Theme From E.T. the Extra-Terrestrial), John Williams, composer |
Best Cast Show Album | Dreamgirls, Henry Krieger, composer; Tom Eyen, lyricist (Geffen/Warner Bros.) |
Best Album of Original Score Written for a Motion Picture or a Television Special | E.T. the Extra-Terrestial, John Williams, composer (MCA) |
Best Classical Album | Bach, The Goldberg Variations, Glenn Gould (CBS) |
Best Classical Orchestral Recording | Mahler, Symphony No. 7 in E Minor, James Levine conducting Chicago Symphony Orchestra (RCA) |
Best Chamber Music Performance | Brahms, The Sonatas for Clarinet and Piano, Op. 120, Richard Stoltzman and Richard Goode |
Best Classical Performance, Instrumental Soloist(s) (With Orchestra) | Elgar, Concerto for Violin in B Minor, Itzhak Perlman; Daniel Barenboim conducting Chicago Symphony |
Best Classical Performance, Instrumental Soloist(s) (Without Orchestra) | Bach, The Goldberg Variations, Glenn Gould |
Best Opera Recording | Wagner, Der Ring des Nibelungen, Pierre Boulez conducting Bayreuth Festival Orchestra; solos: Jones, Altmeyer, Wenkel, Hofmann, Jung, Jerusalem, Zednik, Mclntrye, Salminen and Becht (Philips) |
Best Choral Performance (Other Than Opera) | Berlioz, La Damnation de Faust, Sir Georg Solti conducting Chicago Symphony Orchestra; Margaret Hillis, chorus director, Chicago Symphony Chorus |
Best Classical Vocal Soloist Performance | Leontyne Price Sings Verdi, Leontyne Price; Zubin Mehta conducting Israel Philharmonic Orchestra |
Best Comedy Recording | Live on the Sunset Strip, Richard Pryor (Warner Bros.) |
Best Spoken Word, Documentary or Drama Recording | Raiders of the Lost Ark: The Movie on Record (Columbia) |
Best Recording for Children | In Harmony 2, Billy Joel, Bruce Springsteen, James Taylor, Kenny Loggins, Carly and Lucy Simon, Teddy Pendergrass, Crystal Gayle, Lou Rawls, Deniece Williams, Janis Ian and Dr. John (CBS) |
Best Album Package | Get Closer, Kosh and Ron Larson, art directors (Elektra/Asylum) |
Best Album Notes | Bunny Berigan (Giants of Jazz), John Chilton and Richard Sudhalter, art directors (Time Life) |
Best Historical Album | The Tommy Dorsey/Frank Sinatra Sessions vols. 1, 2 and 3 (RCA) |
Video of the Year | "Olivia Physical", Olivia Newton-John |
Producer of the Year (Non-Classical) | Toto |
Classical Producer of the Year | Robert Woods |