New York, NY (Top40 Charts) The Broad Stage presents Billy Childs and his Jazz Chamber Ensemble on Sunday, November 11 at 7:30pm. One of the foremost American composers of his era, pianist Billy Childs embodies a unique blend of jazz and classical music. The multi-GRAMMY Award winner's groundbreaking project merges improvisation and jazz rhythms with the orchestration and instrumentation of a traditional chamber ensemble.
In an interview with NPR, Childs talks about the inspiration behind jazz chamber ensemble, "I did a composition for the Dorian Wind Quintet and saw that in chamber music, you rehearse every minute detail of the composition - we got a sense of breathing together with the music. So I wanted to apply that to a jazz ensemble, where I could write really intricate and detailed music for a jazz situation and have it breathe together."
Billy Childs is "a seasoned session player, a veteran arranger and producer, a lifelong Los Angeleno" (Rolling Stone) who has pioneered a new genre with his chamber ensemble. All About Jazz says, "Billy Childs fuses elements of jazz and classical music into a convincing, seamless whole. Fusing diverse musical elements in a jazz setting is a risky business [and] Childs succeeds where others have failed."
Tickets, starting at $35, are on sale at www.thebroadstage.org or by calling 310-434-3200. Jazz & Blues at The Broad Stage is made possible by a generous gift from Richard and Lisa Kendall.
Spotlight Talk: Following Billy Childs' Jazz Chamber Ensemble, join
Santa Monica College professor and performer, Lesa Terry, for a discussion about the performance.
Billy Childs' Jazz Chamber Ensemble has released two recordings: Lyric, Vol. 1 and Autumn: In Moving Pictures, Vol. 2. Combined, these recordings have garnered five GRAMMY nominations and two wins. The orchestration consists of 10 instruments, 8 of which are string instruments, giving the group a unique and impressionistic sonic palette.
Band
Billy Childs, CONDUCTOR/ARRANGER/PIANO
Judith Hill, VOCALS
Larry Koonse, GUITAR
Carol Robbins, HARP
Josh Johnson, SOPRANO AND ALTO SAX
Alex Bonham, BASS
Marvin "Smitty" Smith, DRUMS
Pamela Vliek Marchev, FLUTE
Aaron Childs, VOCALS
Wren Brown, SPOKEN WORD
The Lyris Quartet:
Alyssa Park, VIOLIN
Shalini Vijayan, VIOLIN
Luke Maurer, VIOLA
Timothy Loo, CELLO
Billy Childs has emerged as one of the foremost American composers of his era, perhaps the most distinctly American composer since
Aaron Copland - for like Copland, he has successfully married the musical products of his heritage with the Western neoclassical traditions of the twentieth century in a powerful symbiosis of style, range, and dynamism.
A native of Los Angeles, Childs grew up immersed in jazz, classical, and popular music influences. A prodigious talent at the piano earned him public performances by age six, and at sixteen he was admitted to the USC Community School of the Performing Arts, going on to earn a Bachelor of
Music degree in Composition under the tutelage of Robert Linn and
Morten Lauridsen.
By the time of his graduation from USC, Childs was already an in-demand performer in the L.A. jazz scene. Soon thereafter he was discovered by trumpet legend Freddie Hubbard, with whom he embarked on a successful performing and recording tour. He recorded and performed with a number of other influential jazz musicians including J.J. Johnson, Joe Henderson, and
Wynton Marsalis before landing a record deal with Windham Hill Records in 1988, when he released Take For Example, This..., the first of four critically acclaimed albums for the label. The albums Twilight Is Upon Us (1989), His April Touch (1991), and Portrait Of A Player (1992) followed, each expansive contributions of depth and virtuosity. Since then Childs has written and produced I've Known Rivers (1995) on Stretch/GRP, The Child Within (1996) on Shanachie, and two volumes of "jazz/chamber music" (an amalgam of jazz and classical music) - Lyric, Vol. 1 (2006) and Autumn: In Moving Pictures, Vol. 2 (2010); the recordings earned him two GRAMMY Awards and five nominations.
Simultaneously with his recording career, Childs has occupied a parallel niche as an in-demand composer. His orchestral and chamber commission credits include Esa-Pekka Salonen and the Los Angeles Philharmonic, the
Detroit Symphony Orchestra under the baton of Leonard Slatkin, The Los Angeles Master Chorale, The Kronos Quartet, The Lincoln Center Jazz Orchestra, The American Brass Quintet, The Ying Quartet, and The Dorian Wind Quintet.
Thus far in his career, Childs has garnered thirteen GRAMMY nominations and four awards: two for Best Instrumental Composition (Into the Light from Lyric and The Path Among The Trees from Autumn: In Moving Pictures) and two for Best Arrangement Accompanying a Vocalist (New York Tendaberry from Map to the Treasure: Reimagining
Laura Nyro and What Are You Doing the Rest of Your Life? from To Love Again). In 2006, Childs was awarded a Chamber
Music America Composer's Grant, and in 2009 was the recipient of a Guggenheim Fellowship. He was also awarded the Doris Duke Performing Artist Award in 2013, and most recently, the music award from The American Academy of Arts and Letters in 2015.
As a pianist Childs has performed with Yo-Yo Ma, Sting, Renee Fleming, The Los Angeles Philharmonic, The
Detroit Symphony Orchestra, Chick Corea, The Kronos Quartet, Wynton Marsalis, Jack DeJohnette, Dave Holland, Ron Carter, The Ying Quartet, The American Brass Quintet, and Chris Botti. Most recently, Childs recorded REBIRTH, which won the 2018 GRAMMY Award for Best Jazz Instrumental Album.
