
NEW
YORK (Columbia Records) - World Wrestling Entertainment champion John
Cena has come a long way from the beatings he used to take in junior
high school for his love of hip-hop. Columbia Records gives the
wrestler props with YOU CAN'T SEE ME, his debut album available in
stores May 10.
Recorded in 2004 at
Chaos and Order Basscamp
Studios during Cena's rare breaks from the ring, YOU CAN'T SEE ME
features 17 original tracks. Paying tribute to the classic two-man
rhyming crews of the past, Cena and Tha Trademarc (Marc Predka) nimbly
trade verses throughout the album. "You almost never hear a rap crew
today working like EPMD or 3rd Bass," says Cena. "I wanted to bring
that style back a little and get away from one MC up there doing his
thing. Working this way let us attack a song from different directions
and create a more dynamic flow."
The album's first single, "Bad,
Bad Man," is backed by Chaos' insistent beat and respected rap legend
Freddie Foxx (aka Bumpy Knuckles), who created the song's
chest-pounding chorus. The new video for "Bad, Bad Man" is a parody of
the old A-Team show, featuring modern special effects stars: John Cena
as Col. John "Hannibal" Smith, Bumpy Knuckles as Sgt. Bosco Albert
"B.A." Baracus, Tha Trademarc as Capt. H.M. "Howling Mad" Murdock, also
a cameo with Different
Strokes star Gary Coleman.
With
"Beantown," Cena combines a bluesy guitar riff and funky backbeat to
fuel a tribute to his
Boston roots. Giving shout outs to everything
from Fenway Park's "Green Monster" and the Tobin Bridge to Carl
Yastrzemski's bushy sideburns (circa 1973) and the
Boston Tea Party,
Cena paints a vivid picture of the place he still calls home. "Yo, we
fresh, y'all a little bit stale, and we about to make it ugly like
Kevin McHale."
The tables have turned these days and Cena is the
one administering the smackdowns, but as he prepares to release his
debut, YOU CAN'T SEE ME, he's still fighting against those old
perceptions. "I know what I'm up against. I know people are going to
dismiss me as a hip-hop artist out of hand because they think there is
no way a white wrestler could rap," he says. "I busted my ass for three
years writing songs and improving my skills to prove those people
wrong. Whether you love or hate this record, I don't think you can deny
its authenticity."