New York, NY (Top40 Charts) Paul Bergmann is pleased to present "The Other Side, the title track, from his full-length album out April 2. The Other Side can be pre-ordered at Bandcamp. "
The Other Side" premiered today at American Songwriter along with an exclusive interview with Paul. On the song Paul Bergmann says, "'The Other Side' is an ugly tune living some kind of essential truth; existing only to make friction. The execution of the song was deliberately rash, and the edges left exposed. The lyrics were written the hour before, and the first vocal take was used; then months of tape-saturated instrumental layering formed the song as it is now."
Last month Paul Bergmann shared the album's first pre-release single "Oh, My Love." The track debuted at Glide Magazine and can also be shared at Soundcloud. Paul Bergmann says, "'Oh, My Love' is an old-world love song; grand mortal declarations professed alongside a pagan reckoning with the elements as beings. It was built with large slabs, in a blunt Romantic approach. It is the central figure of the album, and defines the ethos of The Other Side." "Oh, My Love" is available now on all streaming platforms to add to your favorite playlists.
Paul Bergmann's latest record swoops in with triumphal mourning, those first, fist-swinging slide-guitar chords and splashy, spaced-out drums courtesy of guitarist Stephen Heath (LA Takedown, Weyes Blood) and drummer Dylan Ryan (Ether Feather, Man Man). With smoke hanging in the air, sweet sorrowful notes descend into the album's title track - The Other Side - a deathmask of a song that mournfully laments how "No one's perfect / I wish they were / I need them to be / but they aren't..."
For some time, Paul Bergmann has been writing and singing as if from a vantage point far into the future; as though uncovering rather than composing his own body of work. To date, his twelve releases have ranged broadly across the landscape of the indie singer-songwriter. Early work in folk-pop, recorded while signed with Fairfax Recordings, has found its way into TV and film, but to dip into his work at random is to discover many different versions of the same artist. This scruffy folk punk, electro-piano torch crooner, analog psychedelian, and, occasionally, strident
Neil Young disciple par excellence has crisscrossed the country in concert in support of one project or another, opening for the likes of
Angel Olsen and Lou Barlow, selling out the historic Cairo Jazz Club in Egypt.
Such peregrinations have concretized Paul's thematic obsessions over the years: the life, and death, of the creative type; human desire; aging; the follies and false promises of stature and fame. In his relentless �uvre-building, Paul Bergmann has amassed an especially articulate kind of existentialism: what it means to persist, and to create, in a world which dies in the near distance. On The Other Side, his latest reckoning with life and imminent dissolution, he forces a truce with our collective lack of an afterlife.
