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Pop / Rock 07/03/2014

Blkmarket With Barem & Thor & Exos This Saturday

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Blkmarket With Barem & Thor & Exos This Saturday
New York, NY (Top40 Charts/ Blkmarket Membership) March 8th
Blkmarket Membership
11pm - late

Line up/
Barem (M_nus) extended set
Thor & Exos (Thule records, sushitech) ny debut
A.Arias (Algo Rhythm)
Taimur & Fahad (Blkmarket)

We will be bringing our own sound system and production gear to a really cool location which we have secured for this night.

Everyone attending has to RSVP [email protected] with their FULL NAMES & the venue information will be released on the day of the event.

Advance Tickets for this night are available on Resident Advisor

'Everything you do in life affects your music if you do music with passion. It's YOU in there, with everything good or bad inside'. - Barem

Mauricio Barembuem (aka Barem) perfectly personifies the new breed of electronic musician who has grown up in the digital age, using intuitive software programs like Reason and Ableton to spontaneously express ideas and emotions. On-line distribution has also made it possible for them to reach out and connect with audiences across the globe, no matter where they are - Buenos Aires for example, where Barem grew up amid the hustle and bustle of a city on the edge.

His teenage years were spent playing blues and rock guitar in bands but this always meant compromise. He longed for a purer form of self expression and eventually found it through electronic music, fascinated in particular by the way some DJs could impose their own personal vision onto the music they played, elevating it to an art form. It was exactly the inspiration he needed and Barem was soon experimenting with sampled loops and buying records (7th City, Spectral, Perlon and of course Minus). However, becoming a techno producer/DJ in Buenos Aires was easier said than done with gigs were few and far between. He was close to quitting a few times but found the right people at the right time and the solid advice they gave kept him motivated and focussed on his goal.

It was to be a defining moment and from that point on his induction into the scene was fast and frenetic. He released the Kleine EP on the free net label Unfoundsound in July 2005 with the track Suki grabbing the attention of many prominent DJs, before graduating to Foundsound with his first vinyl EP - Campo Madness in May 2006. Meanwhile, his relationship with Minus was already taking root. Richie Hawtin encouraged him to submit some demos after hooking up in Buenos Aires, one of which - Opal, appeared on the Min2Max LP which kick-started a period of non-stop touring across the US and Europe as demand for his live performances grew. Two Minus releases then followed in quick succession. 2007 saw the release of his Never Better Than Late EP before 2008's superb Kolimar EP signalled a distinctive evolution of his sound, adding organic, house inflected grooves to his repertoire. Listening to both EPs, it's clear Barem concentrates most energy into creating the powerful bass lines that underpin his work. His expansive use of reverb and delay create space for subtle percussive elements to skip and snake while distant, sometimes eerie melodies occur on random, secondary levels as a result of these interacting elements.

Some tracks just sound right from the first moment you experience them to the point where it's often hard to appreciate the intricacies that lie within. Whether on outstanding remixes like Fuse's Substance Abuse from last year's Plus8100 retrospective or his recent outing on Foundsound with the epic Heyday, it's all about keeping things simple and staying true to the old school, minimalist approach that first got him hooked, his definition of which is both insightful and considered:
''...Minimal is not really a sound... it's just a way of making music. It represents good taste, stylish sounds, the underground, afterhours... Whatever native roots you have, whatever music you like or liked in the past, it all fits in there and it's not dying in my opinion. It's just arrived at the point where we've rediscovered how free and amazing the concept and the reasons behind it are...''

Which goes some way to explain his decision in 2008 to step back from performing live to once again concentrate on DJing, infusing his sets with warm, Latin rhythms as he blends his favourite tunes from a cross section of electronic genres past and present. His sets have graced some of the biggest events around - the Detroit Music Festival, Timewarp, Miami, Ibiza, ADE...not to mention 2009's Contakt special at Brixton Academy and the Minus North American bus tour.

Looking ahead, expect a lot more touring and even more production from Barem. More information at http:.//www.m-nus.com
thor and exos

STROBELIGHT NETWORK CREW:

THOR
Thor has been a leading figure in Icelandic club culture since the late eighties. In the early nineties, Thor and his techno partner Biogen formed the legendary old school hardcore band Ajax. THOR has also had many successful collaborations with great artists such as Björk, Goldie and Yagya. From 1997 till 2004 Thor owned and ran the Icelandic record labels of Thule musik. His most recent releases are the on German label Connaisseur Recordings in a series called "Iceland Lost Tracks".

Thor has toured all over the world and has various of names of his own such as : Flow Machine, Thor S, Thor Inc, Thor HEFX, Sanasol, Justin Simmons, Ajax, Samuel L. Bronkowitz, Coctail Vomit, Zitron, Oz Artists, Ro-Th, 42 Cows in Town, Unslung Heroes, Underground Family, Electric Insect, Thor HF and more.

EXOS
Arnvidur Snorrason is one of the most experienced and respected techno figures in Iceland. His influences came from Mills, Hood, and Basic channel he claims very honestly. Snorrason has been active as Exos since 1997 when he made his debut on Thule records, he has released three LPs including the meditative masterpiece "My Home Is Sonic" on Thule sub-label Æ recordings and more than fifteen EP's on labels such as, Force Inc, Steve O' Sullivan's Mosaic, Thule and many others. Also of paramount importance, is his role as a dj, performing at venues like Ostgut mixing on 3decks at the tender age of 19. His name is synonymous with quality and carries the purist guarantee for deep and unpolluted techno.






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