New York, NY (Top40 Charts) For her 4th CD release, vocalist/violinist Calabria Foti wanted to do an album like her vocal heroes did back in the day; that is, with a big orchestra and legendary arrangers on the podium in an iconic Hollywood recording studio. Ms. Foti says, "This is the most expansive project I have ever done, and at the same time, it's the most intimate and personal. I recorded at Capitol Records with a full orchestra, singing some of the most endearing, sentimental songs ever written, all for my loved ones. This album is a full-production tear-jerker!"
Prelude To A Kiss is replete with grand, sweeping orchestrations from celebrated arrangers Johnny Mandel,
Roger Kellaway, Jeremy Lubbock,
Jorge Calandrelli, and Foti's husband Bob McChesney, (also the producer on the album) and small band swingers featuring a stellar ensemble of musical greats:
Roger Kellaway, piano; Trey Henry, bass;
Peter Erskine, drums; Larry Koonse, guitar; and Bob McChesney, trombone. Singer/guitarist John Pizzarelli guests on "It's The Mood That I'm In" where he and Foti trade jazzy instrumental solos and adorable lyrics.
"I wanted to sing about what's most important to me right now. I didn't want to sing about romance, but about love, and to celebrate family and the feelings of warmth, tenderness and belonging we all crave. I wanted to sing about home.
So, I brought the project to pianist-arranger-composer
Roger Kellaway, who not only played superbly, he wrote a masterpiece arrangement on
Leslie Bricusse's 'When I Look In Your Eyes', which I have always sung to my daughters. We recorded a sweet bossa nova that my Dad wrote for my Mom, called "I Had To Fall In Love With You", and a song I wrote about the pain of leaving home to follow my dreams, called "
Goodbye". Duke Ellington's iconic "Prelude To A Kiss", was hauntingly arranged by my uber-talented husband, Bob McChesney, and the final song is a touching pop ballad by wonderful singer Michael Dees, called, appropriately, "I'm Home".
This album is so special to me because of all the elements: The mix of glorious standards with the original songs, recording in the studio where so many of my heroes have made history, a most audacious team of musicians, with my husband at the helm and my daughters in the booth as I was singing. I was so emotional! My heart was so full and is full to this day. I hope this music touches your heart and draws you closer to your loved ones. Because, as
Dorothy Gale once said, 'There's no place like home'."
In Prelude To a Kiss, with its 11-song array of stunning ballads and up tempo tunes, Calabria Foti displays her trademark vocal beauty and sensuality, as well as her talents as violin soloist, scat singer, and songwriter. This album also confirms Foti's place among interpreters of the Great American Songbook as one of the finest storytellers of our time.
If her goal was to do a record like those made by her musical heroes of yesteryear, Foti has certainly achieved it. Listening to Prelude To A Kiss is like cuddling by the fireplace under a warm blanket with someone special on a chilly night. No one makes "home" seem quite so desirable as Calabria Foti.
Calabria Foti grew up in Fredonia, New York with musician parents, began singing and playing guitar in church at age 9. By 12 years old, she was a working electric bass player, singing standards every weekend in her parents' dance band. "In my house, I heard everything from Bach to bebop, classical to contemporary and every genre of music in between. I don't know why, but I was drawn to the great movie musicals and songs from Tin Pan Alley, and fell in love with old movies, Broadway shows, the music of the Classic film scores and Bugs Bunny cartoons.
I loved learning songs from the early jazz and vaudeville days, scoured my parents' record collection, discovering great songs from the great stylists, and, I got the opportunity to sing some of those tunes every weekend on gigs!" All throughout her school years, Calabria performed in choirs and musical theatre, and sang professionally in hotels, and nightclubs.
Simultaneously, she was studying violin and began her orchestral violin career as the Associate Concertmaster of the Florida Orchestra at age 20. Her dual skills of vocalist and violinist led Foti to Los Angeles where she began her career in TV/film/CD scoring, and married trombonist Bob McChesney. As a young musician in LA, Calabria had the good fortune to work with her heroes Frank Sinatra, Sammy Davis Jr., Peggy Lee, Vic Damone, Johnny Mathis, Tony Bennett, Nancy Wilson, Robert Goulet, and many others. "It was so exciting to play the shows and the record dates of those great singers and entertainers, I could barely keep my eyes on my music! I learned so much from those artists and experiences." Wanting to walk in their footsteps, Calabria started recording in 1999, with her first CD, "When a Woman Loves A Man", a tribute to the great vocalists she admired so much. In 2007, her CD "A Lovely Way To Spend An Evening", which follows the arc of a romantic evening, received the praise of Johnny Mathis, who gushed, "Listening to a beautiful voice is one of my greatest pleasures in life. This recording of Calabria Foti's voice is some of the most beautiful and artistic music I have ever heard. Her heart and mind are on display in every well-chosen song. It is a treasure. What a joy!"
After a series of live shows in LA singing Rosemary Clooney-Bing Crosby duets with TV's Seth MacFarlane, Calabria and Seth recorded a single, "Let's Fall in Love" as a tribute to
Frank Sinatra and
Nelson Riddle, which garnered a Grammy nomination in 2014. "In The Still of The Night", an acclaimed tribute to Cole Porter was released in 2017, with a New York-based chamber jazz ensemble, featuring Gene Bertoncini on guitar, and clarinetist Eddie Daniels. Her latest release, Prelude To A Kiss, a full-production
Valentine to her loved ones, was recorded at famed Capitol Records with legendary arrangers Jeremy Lubbock, Johnny Mandel,
Roger Kellaway,
Jorge Calandrelli, and orchestra. Says the singer, "Prelude To A Kiss is the most expansive record I have ever done, and at the same time, it's the most intimate and personal. It represents the story of my life. With an amazingly creative team of musicians, I'm so proud of what was accomplished. An album celebrating love, belonging, family and home, I hope it touches your heart and draws you closer to your loved ones."
TRACKS - Prelude To A Kiss:
1. Prelude To A Kiss 6:34
(comp. Duke Ellington, arr. Bob McChesney, Violin Solo - Calabria Foti,
Trombone Solo - Bob McChesney)
2. I Had To Fall In Love With You. 4:37
(comp. Richard Fote, arr. Johnny Mandel and Bob McChesney,
Guit solo Larry Koonse)
3. On The Street Where You Live 2:26
(comp. Alan Jay Lerner and Frederick Lowe, arr. Calabria Foti,
Drum solo -
Peter Erskine, Scat Solo - Calabria Foti)
4. Waltz For Debby 5:13
(comp. Bill Evans and Gene Lees, arr. Calabria Foti,
Guitar Solo - Larry Koonse)
5. When I Look In Your Eyes 7:04
(comp.
Leslie Bricusse, arr.
Roger Kellaway,
Trombone Solo - Bob McChesney)
6. Goodbye 3:31
(comp. Calabria Foti, arr. Bob McChesney and Calabria Foti,
Piano Solo -
Roger Kellaway)
7. The Man With The Horn 5:48
(comp. Jack Jenney, Bonnie Lake and Eddie DeLange,
arr.
Jorge Calandrelli, Trombone Solo - Bob McChesney)
8. Backyard Medley 3:59
(Back In Your Own Backyard - comp. Al Jolson, Billy Rose and Dave Dreyer; Give Me The
Simple Life - comp. Rube Bloom and Harry Ruby; The Love Nest - comp. Luis Hirsh and Otto Harbach; medley arr. Calabria Foti,
Piano Solo -
Roger Kellaway)
9. The Folks Who Live On The Hill 6:34
(comp.
Jerome Kern, arr. Jeremy Lubbock,
Piano Solo -
Roger Kellaway)
10. It's The Mood That I'm In 4:27
(duet with John Pizzarelli)
(comp. Abner
Silver and Al Sherman, arr. Calabria Foti and
Bob McChesney, Guitar/Vocal Solo John Pizzarelli, Violin Solo - Calabria Foti)
11. I'm Home 5:21
(intro from Letter From Home - comp.
Aaron Copeland,
Song comp. Michael Dees, arr. Bob McChesney and Calabria Foti,
Piano Solo -
Roger Kellaway)
CREDITS - Prelude To A Kiss:
Musicians:
Featured:
Calabria Foti vocals/violin solos
Roger Kellaway piano
Trey Henry bass
Peter Erskine drums
Larry Koonse guitar
Bob McChesney trombone
John Pizzarelli guest vocal/guitar
Luis Conte percussion
Woodwinds:
Dan Higgins
Gene Cipriano
Glen Berger
Geoff Nudell
Rose Corrigan
Terry Harrington
Bob Crosby
Bob Carr
French Horns:
Jim Thatcher
Jenny Km
Katie Faraudo
Dan Kelley
Violins:
Charlie Bisharat, Songa Lee,
Kevin Connolly, Lucia Micarelli,
Nina Evtuhov, Josefina Vergara, Radu Pieptea,
Tereza Stanislav,
Armen Anassian, Marisa Kuney,
Kevin Kumar, Ben Jacobsen,
Michele Richards, Jackie Brand
Violas:
Brian Dembow, Andrew Duckles, Alma Fernandez, Rob Brophy
Cellos:
Armen Ksajikian, Cameron Stone, Tina Soule, Jacob Braun
Harp:
Gail Levant
Orchestra arrangements by:
Jeremy Lubbock
Roger Kellaway
Johnny Mandel
Jorge Calandrelli
Bob McChesney
Produced by Bob McChesney
Recording Engineers:
Michael Aarvold, Bob McChesney,
Steve Genewick, Talley Sherwood
Mixing Engineer:
Michael Aarvold
Mastering Engineer:
Michael Aarvold
Cover Photography:
Todd Tyler
Art + Design:
Kio Griffith
