Support our efforts, sign up to a full membership!
(Start for free)
Register or login with just your e-mail address
Rock 13/10/2023

"Queen The Greatest Live" The Greatest Series Returns With A Year-Long Celebration Of Queen Live

Hot Songs Around The World

Espresso
Sabrina Carpenter
302 entries in 26 charts
A Bar Song (Tipsy)
Shaboozey
218 entries in 20 charts
Fortnight
Taylor Swift & Post Malone
211 entries in 25 charts
Million Dollar Baby
Tommy Richman
171 entries in 21 charts
Lunch
Billie Eilish
142 entries in 24 charts
Houdini
Eminem
139 entries in 23 charts
Grustnyi Dens
Artik & Asti
184 entries in 2 charts
Tu Falta De Querer
Mon Laferte
174 entries in 3 charts
Austin
Dasha
226 entries in 16 charts
We Can't Be Friends (Wait For Your Love)
Ariana Grande
242 entries in 24 charts
I Like The Way You Kiss Me
Artemas
324 entries in 26 charts
Belong Together
Mark Ambor
180 entries in 16 charts
Too Sweet
Hozier
304 entries in 22 charts
Lose Control
Teddy Swims
653 entries in 25 charts
New York, NY (Top40 Charts) From the day it was caught in the bottle at Rockfield Studios for 1975's A Night At The Opera, Bohemian Rhapsody became arguably the greatest of all Queen's anthems - a shapeshifting six-minute rock opera that stood as a monument to the band's towering musical ambition. "That one really took us into another league," Roger Taylor once said of the band's first UK#1 single. "It was a game-changer."

Segueing from a cascade of multi-tracked harmonies to headbanging hard-rock, Freddie Mercury's grandiose composition was perhaps the most challenging song in the catalogue to recreate live - but that didn't stop Bohemian Rhapsody taking up permanent residence on the Queen setlist. Now, in the latest episode of Queen The Greatest Live, a visual medley of iconic performances of the song from across the band's career reminds us how Queen carried this timeless anthem through the ages and across the world.

Rewind to Hammersmith Odeon in 1975 and an androgynous twenty-something Freddie starts Bohemian Rhapsody unaccompanied at the piano, instantly captivating the audience with that evocative first line ('Mama, just killed a man…'). By 1982, at Seibu Lions Stadium, Tokorozawa, Japan, the singer is topless and slick with sweat, delivering the confessional lyric like a storyteller, with Brian May decorating his vocal with ethereal guitar touches.

At the Milton Keynes Bowl - also in 1982 - the song sounds commanding and fiery, with Freddie's piano intro flowing into Brian's aching guitar solo. Then comes the big riff at 1985's Rock In Rio. "We thought it was kind of pointless to try to recreate that huge, multi-part operatic section with just the four of us," Brian once explained. "So the solution we came to was, we would go off stage, change our frocks, and come back and crash into the heavy section."
And finally, join the front row at Wembley Stadium in 1986 for the song's wistful outro ('Nothing really matters to me…'), with Freddie triumphantly throwing a fist to the heavens as the rock odyssey of Bohemian Rhapsody comes to a close.






Most read news of the week


© 2001-2024
top40-charts.com (S6)
about | site map
contact | privacy
Page gen. in 0.0048749 secs // 4 () queries in 0.0044069290161133 secs