Record of the Year
 Kenneth "Babyface” Edmonds and Eric Clapton |
|
"Change the World", Eric Clapton |
| Album of the Year |
Falling Into You, Celine Dion (550 Music/Epic) |
| Song of the Year |
"Change the World", Gordon Kennedy, Wayne Kirkpatrick and Tommy Sims, songwriters |
| Best New Artist |
LeAnn Rimes |
| Best Male Pop Vocal Performance |
"Change the World", Eric Clapton |
| Best Female Pop Vocal Performance |
"Un-break My Heart", Toni Braxton |
| Best Pop Performance by a Duo or Group With Vocal |
"Free As a Bird", The Beatles |
| Best Pop Collaboration With Vocals |
"When I Fall in Love", Natalie Cole with Nat King Cole |
| Best Pop Instrumental Performance |
"The Sinister Minister", Bela Fleck and the Flecktones |
| Best Pop Album |
Falling Into You, Celine Dion (550 Music/Epic) |
| Best Traditional Pop Vocal Performance |
Here's to the Ladies, Tony Bennett |
| Best Female Rock Vocal Performance |
"If It Makes You Happy", Sheryl Crow |
| Best Male Rock Vocal Performance |
"Where It's At", Beck |
| Best Rock Performance by a Duo or Group With Vocal |
"So Much to Say", Dave Matthews Band |
| Best Hard Rock Performance |
"Bullet With Butterfly Wings", Smashing Pumpkins |
| Best Metal Performance |
"Tire Me", Rage Against the Machine |
| Best Rock Instrumental Performance |
"SRV Shuffle", Jimmie Vaughan, Eric Clapton, Bonnie Raitt, Robert Cray, B.B. King, Buddy Guy, Dr. John and Art Neville |
| Best Rock Song |
"Give Me One Reason", Tracy Chapman, songwriter |
| Best Rock Album |
Sheryl Crow, Sheryl Crow (A&M) |
| Best Alternative Music Performance |
Odelay, Beck |
| Best Female R&B Vocal Performance |
"You're Makin' Me High", Toni Braxton |
| Best Male R&B Vocal Performance |
"Your Secret Love", Luther Vandross |
| Best R&B Performance by a Duo or Group With Vocal |
"Killing Me Softly With His Song", Fugees |
| Best R&B Song |
"Exhale (Shoop, Shoop)", Kenneth "Babyface” Edmonds, songwriter |
| Best R&B Album |
Words, The Tony Rich Project (LaFace) |
| Best Rap Solo Performance |
"Hey Lover", LL Cool J |
| Best Rap Performance by a Duo or Group |
"Tha Crossroads", Bone Thugs-N-Harmony |
| Best Rap Album |
The Score, Fugees; Lauryn Hill, Prakazrel "Pras” and Wyclef, producers (Ruffhouse/Columbia) |
| Best Female Country Vocal Performance |
"Blue", LeAnn Rimes |
| Best Male Country Vocal Performance |
"Worlds Apart", Vince Gill |
| Best Country Performance by a Duo or Group With Vocal |
"My Maria", Brooks and Dunn |
| Best Country Collaboration With Vocals |
"High Lonesome Sound", Vince Gill featuring Alison Krauss and Union Station |
| Best Country Instrumental Performance |
"Jam Man", Chet Atkins |
| Best Country Song |
"Blue", Bill Mack, songwriter |
| Best Country Album |
The Road to Ensanada, Lyle Lovett; Billy Williams and Lyle Lovett, producers (Curb/MCA) |
| Best Bluegrass Album |
True Life Blues: The Songs of Bill Monroe, various artists (Sugar Hill) |
| Best New Age Album |
The Memory of Trees, Enya (Reprise) |
| Best Contemporary Jazz Performance |
High Life, Wayne Shorter |
| Best Jazz Vocal Performance |
New Moon Daughter, Cassandra Wilson |
| Best Jazz Instrumental Solo |
"Cabin Fever", Michael Brecker |
| Best Jazz Instrumental Performance, Individual or Group |
Tales From the Hudson, Michael Brecker |
| Best Large Jazz Ensemble Performance |
Live at Manchester Craftmen's Guild, Count Basie Orchestra (with The New York Voices); Grover Mitchell, conductor |
| Best Latin Jazz Performance |
Portraits of Cuba, Paquito D'Rivera |
| Best Rock Gospel Album |
Jesus Freak, dc Talk (ForeFront Communications) |
| Best Pop/Contemporary Gospel Album |
Tribute - The Songs of Andrae Crouch, various artists; Norman Miller and Neal Joseph, producers (Warner Alliance) |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album |
I Love to Tell the Story: 25 Timeless Hymns, Andy Griffith (Sparrow Communications Group) |
| Best Traditional Soul Gospel Album |
Face to Face, Cissy Houston (House of Blues Music Co.) |
| Best Contemporary Soul Gospel Album |
Whatcha Lookin' 4, Kirk Franklin and the Family (Gospo Centric) |
| Best Gospel Album by a Choir or Chorus |
Just a Word, Shirley Caesar's Outreach Convention Choir (Word Gospel) |
| Best Latin Pop Performance |
Enrique Iglesias, Enrique Iglesias |
| Best Tropical Latin Performance |
La Rosa de los Vientos, Ruben Blades |
| Best Mexican-American/Tejano Music Performance |
Un Millon de Rosas, La Mafia |
| Best Traditional Blues Album |
Deep in the Blues, James Cotton (Verve) |
| Best Contemporary Blues Album |
Just Like You, Keb' Mo' (Okeh/Epic) |
| Best Traditional Folk Album |
Pete, Pete Seeger (Living Music) |
| Best Contemporary Folk Album |
The Ghost of Tom Joad, Bruce Springsteen (Columbia) |
| Best Reggae Album |
Hall of Fame - A Tribute to Bob Marley's 50th Anniversary, Bunny Wailer (RAS Records) |
| Best World Music Album |
Santiago, The Chieftains (RCA Victor) |
| Best Polka Album |
Polka! All Night Long, Jimmy Sturr (Rounder) |
| Best Musical Album for Children |
Dedicated to the One I Love, Linda Ronstadt; George Massenburg and Linda Ronstadt, producers (Elektra) |
| Best Spoken Word Album for Children |
Stellaluna, David Holt; Virginia Callaway, Steven Heller and David Holt, producers (High Windy Audio) |
| Best Spoken Word or Non-Musical Album |
It Takes a Village, Hillary Rodham Clinton (Simon and Schuster Audioworks) |
| Best Spoken Comedy Album |
Rush Limbaugh Is a Big Fat Idiot, Al Franken (Dove Audio) |
| Best Musical Show Album |
Riverdance, various artists; Bill Whelan, producer, composer and lyricist (Celtic Heartbeat/Atlantic) |
| Best Instrumental Composition |
"Manhattan (Island of Lights and Love)", Herbie Hancock and Jean Hancock, composers |
| Best Instrumental Composition for a Motion Picture or for Television |
Independence Day, David Arnold, composer |
| Best Song Written Specifically for a Motion Picture or for Television |
"Because You Loved Me” (From Up Close and Personal ), Diane Warren, songwriter |
| Best Instrumental Arrangement |
"An American Symphony (Mr. Holland's Opus)", Michael Kamen, arranger |
| Best Instrumental Arrangement With Accompanying Vocal(s) |
"When I Fall in Love", Alan Broadbent, David Foster and Gordon Jenkins, arrangers |
| Best Recording Package |
Ultra-Lounge (Leopard Skin Sampler), Andy Engel and Tommy Steele, art directors (Capitol) |
| Best Recording Package - Boxed |
The Complete Columbia Studio Recordings, Chika Azuma and Arnold Levine, art directors (Columbia) |
| Best Album Notes |
The Complete Columbia Studio Recordings, George Avakian, Bob Belden, Bill Kirchner and Phil Schaap, album-notes writers (Columbia) |
| Best Historical Album |
The Complete Columbia Studio Recordings, Bob Belden and Phil Schaap, compilation producers; Phil Schaap and Mark Wilder, mastering engineers (Columbia) |
| Best Engineered Album, Non-Classical |
Q's Jook Joint, Francis Buckley, Al Schmitt, Bruce Swedien and Tommy Vicari, engineers (Qwest/Warner Bros.) |
| Producer of the Year |
Kenneth "Babyface” Edmonds |
| Best Classical Engineered Recording |
Copland: Dance Symphony; Short Symphony; Organ Symphony, Etc., William Hoekstra and Lawrence Rock, engineers (RCA Victor Red Seal) |
| Classical Producer of the Year |
Joanna Nickrenz |
| Best Classical Album |
Corgiliano: Of Rage and Remembrance (Symphony No. 1, etc.), Leonard Slatkin, conductor; Joanna Nickrenz, producer; various artists (RCA Victor Red Seal) |
| Best Orchestral Performance |
Prokofiev: Romeo and Juliet (Scenes From the Ballet), Michael Tilson Thomas, conductor |
| Best Opera Recording |
Britten: Peter Grimes, Richard Hickox, conductor; Philip Langridge, Alan Opie and Janice Watson, principal soloists; Brian Couzens, producer |
| Best Choral Performance |
"Walton: Belshazzar's Feast", Andrew Litton, conductor; Neville Creed and David Hill, chorus masters |
| Best Instrumental Soloist(s) Performance (With Orchestra) |
Bartok: The Three Piano Concertos, Yefim Bronfman, piano |
| Best Instrumental Soloist Performance (Without Orchestra) |
The Romantic Master (Works of Saint-Saens; Handel, etc.), Earl Wild, piano |
| Best Chamber Music Performance |
"Corigliano: String Quartet, etc.", Cleveland Quartet |
| Best Small Ensemble Performance (With or Without Conductor) |
"Boulez:...Explosante-Fixe...", Pierre Boulez, conductor |
| Best Classical Vocal Performance |
Opera Arias (Works of Mozart, Wagner, Borodin, etc.), Bryn Terfel, bass baritone |
| Best Classical Contemporary Composition |
"Corigliano: String Quartet", John Corigliano, composer |
| Best Music Video, Short Form |
"Free As a Bird", The Beatles; Joe Pytka, video director |
| Best Music Video, Long Form |
The Beatles Anthology, The Beatles; Geoff Wonfor, video director; Chips Chipperfield, video producer |
