New York, NY (Top40 Charts) One of music's greatest auteurs - André "3000"
Benjamin - will release his debut solo album, New Blue Sun, on November 17th, 2023 via Epic Records. Co-produced by
Benjamin and lauded multi-instrumentalist
Carlos Niño, and featuring the playing of Nate Mercereau, Surya Botofasina, Deantoni Parks,
Diego Gaeta, Matthewdavid, V.C.R,
Diego Gaeta,
Jesse Peterson, and Mia Doi Todd, New Blue Sun is an entirely instrumental album centered around woodwinds; a celebratory piece of work in the form of a living, breathing, aural organism.
Benjamin discussed the creation of New Blue Sun - in addition to a myriad of other topics - with Rodney Carmichael of NPR
Music in a special edition of the All Songs Considered podcast.
Over the past decade, André 3000 has lived without anchors, gently floating in a breeze. Blink and you might miss him: There he is in Japan, flashing a bright smile and a peace sign, his other hand holding a custom wooden flute. There he is again, this time in an airport terminal, playing a few spare notes to pass the time. Wait, is that André in SoHo with a latte? Casually walking around like he's not who he is? It's why you've seen him in scattered social media clips in recent years: The brother is so admired that any glimpse of him needs to be preserved.
But here's the gag: André isn't BigFoot. He isn't some mythical being living in the hills. He's very much aware of his legend as an award-winning actor, one-half of the GRAMMY-winning rap duo OutKast, and master of the show-stopping guest verse. Despite the fame, he's still a journeyman, a student of nature and creativity — searching, navigating, listening to the wind.
Wind is the most essential element of his new solo album, New Blue Sun, an instrumental offering co-produced by
Carlos Niño that brings André's flute playing to the center. André took an interest in wind instruments at least 20 years ago. Though he experimented with guitars and bass, he liked how flutes and saxophones sounded. A jazz fan, he read that
John Coltrane played clarinet before he played the sax, so he bought a clarinet and started playing it. He points to the end of 2003's "She Lives In My Lap" as a gateway to his wind instrument playing. He belts out a few screechy wails to conclude the song. In 2019, André was featured on the
James Blake track "Where's the Catch?" There, he starts playing the bass clarinet with
Blake on piano. The engineer captured the session and they put it out.
"I've been interested in winds for a long time, so it was just a natural progression for me to go into flutes," André says. "I just like messing with instruments and I gravitated mostly toward wind."
The album features a core group of today's best healing music players: Niño on bells, chimes, cymbals, drums, gongs, plants and percussion; Nate Mercereau on guitar, guitar synth and live sampling; and Surya Botofasina on keyboards and synthesizers. André plays several different wind instruments on this album, including a digital wind instrument, a Maya flute, and others made of wood and bamboo.
And before you ask: No, there aren't any rhymes on this LP. In fact, there aren't any words. It's a fully instrumental record with long-running songs and equally long-winded titles. The opening song is 12 minutes and is called "I Swear, I Really
Wanted to Make a Rap Album But This Is Literally the Way the Wind Blew Me This Time."
"There's this misconception that I just won't do it," André says of releasing a rap record. "I think people feel like I'm sitting around on rap albums, or sitting around and I'm just not putting them out in that way. And no it's not like that." He continues: "In my mind, I really would like to make a rap album. So maybe that happens one day, but I got to find a way to say what I want to say in an interesting way that's appealing to me at this age."
The album's second song is a celestial arrangement with an edgy title: "The Slang Word P(*)ssy Rolls Off the Tongue with Far Better Ease Than the Proper Word Vagina. Do You Agree?" He did that to bridge the gap between hip-hop and New Age. "A lot of times I think people, especially
Black people in the hood, look at it like, 'Oh, them people over there,'" André says. "It's like a separation. And that's why with the song titles, we kind of kept it playful a lot of times. Or we got a little raw because I wanted to still feel light at times. Or give it some type of balance, make it just attractive for people to come in."
Indeed, when certain listeners consider ambient music, they think it's too weird or too sleepy to enjoy. But there's a lot going on within this music that shouldn't be discounted. Not everything needs 808 drums and trunk-rattling bass. "What people will call New Age-y or spiritual-ish, people consider it heavy," André says. "And I think, because I'm coming from rap and I knew a different audience, different eyes would be following me and looking at it. So I wanted to make sure that what I contribute to this world brings a certain lightness or humanness."
On purpose, André wants you to slow down, reset, and sit still. Let the music unfold. See where the air takes you. Influenced by Laraaji, Brian Eno, Alice Coltrane, Steve Reich and Pharoah Sanders, New Blue Sun envisions a vast world of exploration. "In this world," André continues, "the sun will be blue so it's actually a different world, as if this sun we are looking at now that we are living by, that sun is going to die out at some point." The human race will still need warmth. "I don't even know what they're going to look like or what their animals are going to look like," he says. "But in my mind, it would be this cooler burning sun that's blue."
André conveys this through gorgeous melodies that open up and stretch out, conjuring views of the place he imagines. On "I Swear, I Really
Wanted to Make a Rap Album…," the listener can see the sun rising over the terrain; feel the chill hanging in the air, the promise of abundance and new beginnings. The song feels upbeat, active yet serene, a rightful score for calm reflection or walking through the park before the day gathers steam.
The same goes for "Ninety Three 'Til
Infinity and Beyoncé." Here, the sky tussles with menacing clouds, and
Diego Gaeta's keys emit a Stevie-esque sensibility. Like Wonder, who often sang of trees and flowers and took Earth's beauty into account, this music tries to assess our significance on the planet. Who are we beneath the breadth of a mountain? How are we so blessed to saunter gently through the meadow? Much of the album feels reflective in that way, leaving a little room for darkness to creep in.
To that end, the album's third song, "That Night in Hawaii When I Turned Into a Panther and Started Making These Low Register Purring Tones That I Couldn't Control … Sh¥t Was Wild," feels bleak and cavernous, as if walking through the jungle at night. "Ghandi, Dalai Lama, Your Lord & Savior J.C. / Bundy, Jeffrey Dahmer, and John Wayne Gacy" has a haunted aura, its droning synths and cold piano chords feel eerie.
Ultimately, New Blue Sun represents the next step in André's creative evolution, much like when he started producing OutKast songs under the name Earthtone III, when he added "3000" to his name to acknowledge the future, when he crafted The Love Below as a jazz-funk hybrid indebted to Sly Stone, Bootsy Collins and
George Clinton. Making New Blue Sun was therapeutic for him. He wants it to soothe you as well.
"It's therapeutic to be in that setting and playing and having to be fully in the moment," André says. "Don't think about the future, don't think about the past. There's something about knowing that this was created without any of the people knowing what was coming. It's just beautiful to hear a natural happening."
