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Oldies 27/06/2007

Dean Martin Is Forever Cool With New All-Star Collaborative Album

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HOLLYWOOD, CA. (Top40 Charts/ Capitol/ EMI) - Around the world, entertainment superstar Dean Martin has the market cornered on charisma, easygoing charm, playful wit, and gracious humility, all of which combine to make him infinitely cool. To honor Martin's broad appeal and countless contributions to modern entertainment via his legendary music, stage, film and television career, many of the world's top artists have recorded new collaborative tracks with him for a new album titled Dean Martin: Forever Cool. To be released worldwide in CD and deluxe CD/DVD packages and digitally on August 14 by Capitol/EMI, Forever Cool's 14 tracks pair Martin's original vocals with new arrangements and an all-star group of collaborators in a salute to the unparalleled talent and charisma of the man known around the world as Dino.

Forever Cool's inspired new recordings, woven together with several rare and previously unreleased clips of Martin's witty studio banter, feature Grammy winner Joss Stone, two-time Oscar(R) winner Kevin Spacey, saxophonist Dave Koz, Grammy winner Shelby Lynne, trumpeter Chris Botti, international superstar Robbie Williams, "American Idol" finalist Paris Bennett, country music star Martina McBride, French entertainment icon Charles Aznavour, Italian chart-topper Tiziano Ferro and other music greats. The new album swings, swaggers, rocks, rolls and whispers, gently closing with a previously unreleased a cappella version of "Lullaby" sung by Martin.

More than anyone else ever has, Dean Martin personifies masculine cool. Never was an icon so relatable, never such a velvet-voiced, affable guy so Olympian. With Forever Cool, Martin's brilliant knack for collaboration is renewed, fresh and fun all over again, bringing him together with many of the world's top performers in an exuberant celebration. "It's like a cocktail party on a record," says Forever Cool executive producer Jane Ventom, "where all sorts of wonderful, unique guests get up and make music with the host."

That the Forever Cool recording party roared in Capitol's legendary Studio A in Hollywood, where almost every classic Dean Martin recording was put to tape, lent the proceedings a thrilling and electric ambiance. Song by song, spiritual and musical harmony ensued and fully enveloped each recording session. During a break in his vocal sessions, Kevin Spacey was heard to giddily mutter, "Holy ba-joley! He's in the room... He's definitely in the room..." Sax virtuoso Dave Koz politely asked the engineers to temporarily hold off the recording: "Could you just let Dean and I jam for awhile? By ourselves?"

"There was nobody cooler," said Spacey. "The thing about Dean that's always been astounding is that it just seems like it's effortless. I think some people are just born entertainers. They recognize how to relate to an audience, how to engage an audience. I also think that one of the great things Dean had was that he could relate and engage with other performers. It's a thrill to feel a link to someone like Dean Martin."

"There is that undeniable force that you can't put a name on," said Robbie Williams. "I just want to be like him in real life. Offstage, I want to be like Dean Martin - funny, handsome, charming... I've got it nailed (laughs)."

"Dean had a swagger about him we all wish we had as entertainers," said Shelby Lynne. "He's got one of the greatest, most recognizable and smooth voices of all time. I'm not gonna lie. I'd love to be Dean Martin." Added Scotty Morris of Big Bad Voodoo Daddy, "When you hear Dean Martin, he gives you a feeling. It's a special gift. I love him and I want to do him justice, and I'd like to think that he'd be proud of me."

Forever Cool's production team includes EMI Music Marketing vice president of A&R Jane Ventom and Dean Martin's business manager Laura Lizer as executive producers and Rob Christie as producer, with recording and mixing by co- producer and 15-time Grammy winner Al Schmitt (Norah Jones, Ray Charles, Diana Krall, Quincy Jones, etc.). Select tracks were produced by 12-time Grammy winning producer Phil Ramone (Tony Bennett, Paul Simon, Ray Charles, etc.), Grammy-winning producer, arranger and conductor Patrick Williams (Frank Sinatra, B.B. King, Barbra Streisand), and Bobby Colomby (Chris Botti). The album's tracks were recorded and mixed at Capitol Studios in Hollywood.

"It's a thrill to hear such a talented and diverse array of artists collaborate with Dean and celebrate his music," said Dean Martin's business manager Laura Lizer. "All of the artists have brought unique talents, inspiration and vibrant energy to the songs, complementing Dean with their own great styles and with a lot of love and respect for him. Forever Cool is a high-spirited, brilliant new entry in Dean's recorded canon, and we're proud to share it with his fans around the world. He would get a real kick out of this."

Said Martin's daughter, Gail Martin, "It gives me a warm glow to know that everybody - all ages, all generations - just seem to adore him and want more of him. That's exciting, and it doesn't surprise me."

Of his first encounter with Martin, Jerry Lewis recalled, "That's what I want to be like, you think. Maybe if I hang around with him, some of that'll rub off on me." In recent years Martin's star has shone ever more brightly. In a 2004 Playboy magazine feature, writer Bill Zehme crowned Martin "the coolest man who ever lived." More than 40 years after knocking the Beatles' "A Hard Day's Night" out of the No 1 chart position with "Everybody Loves Somebody" in 1964, he continues to enthrall music fans around the world. Said Phil Ramone, "I think Dean's whole re-birth, so to speak, is that young people have realized how cool he is and how funny he is... and he could sing."

"He made music that's going to stand the test of time and be around forever," said Spacey. "People will always be listening to Dean Martin."

"When he sings, you believe it," said Martina McBride. "He had a great personality that just came across and made you feel like you knew him. I feel humbled and honored and proud to be a part of this project." Echoed Lynne, "Some people are just naturally cool, and he was definitely naturally cool. It's quite an honor to be a part of this."

Martin's effortless vocalizing has become a modern shorthand for cool, as evidenced by the use of his songs in films like Goodfellas, Casino, Swingers, Out of Sight, L.A. Confidential, A Bronx Tale and Payback, as well as top- rated television programs, including "The Sopranos," "Ugly Betty" and "Dancing With The Stars." Martin's music has also been featured in major brand TV advertising for Nissan, Microsoft, Marriott Hotels, Carl's Jr., Heineken, this year's Superbowl-premiered Budweiser commercial with "Ain't That a Kick In the Head," and many others.

The phenomenal sales of Capitol/EMI's 2004 collection Dino: The Essential Dean Martin, which collects 30 of Martin's key recordings for both Capitol and Reprise on one CD, has provided the strongest signal yet of Dino's continued prominence in the pop-music firmament. As the week's highest-charting new entry, it was Billboard's "Hotshot Debut", and it has sold more briskly than any previous Martin recording, going gold within months and platinum within a year. Dino also hit the Top 5 on Apple's iTunes Music Store album chart. As Zehme observed in Playboy, "Dean provides smooth, winking succor to generations anew."

"No matter what age you're at, you kind of want to be cool," said Spacey. "And there was nobody cooler at what he did." Dean Martin's approach to life with an easy smile, a graceful melody and an aura of unflappable cool is a style that was made to last forever.
For more information, please visit Dean Martin's Official Website:


1. Who's Got The Action - Featuring Big Bad Voodoo Daddy (3:02)
(Brooks - Duning)
Original Arrangement By: Don Costa
Adapted by: Joshua Levy
Co-Produced by: Scotty Morris
Big Bad Voodoo Daddy is: Scotty Morris, Kurt Sodergren, Dirk
Shumaker, Andy Rowley, Glen Marhevka, Karl Hunter & Josh Levy

2. Ain't That A Kick In The Head - Featuring Kevin Spacey (2:38)
(Cahn - Van Heusen)
Arranged by: Nelson Riddle
Conducted by Patrick Williams
Co-Produced by: Phil Ramone

3. I've Grown Accustomed To Her Face - Featuring Chris Botti (3:15) (Lerner - Loewe) Arranged and Conducted by: Gil Goldstein Produced by: Bobby Colomby Chris Botti appears courtesy of Sony BMG Music Entertainment

4. Baby-O - Featuring Paris Bennett (3:09)
(Mercer - Rotella)
Arranged by: Neal Hefti and Patrick Williams
Conducted by: Patrick Williams
Paris Bennett appears courtesy of 306 Music and Entertainment

5. Who Was That Lady? - Featuring The Capitol Studios Orchestra (2:27)
(Cahn - Van Heusen)
Arranged by: Nelson Riddle
Adapted and Conducted by: Patrick Williams

6. Please Don't Talk About Me When I'm Gone - Featuring Robbie Williams
(Clare - Stept)
Arranged by Nelson Riddle
Conducted by: Patrick Williams
Robbie Williams courtesy of The In Good Company Co Limited and
Chrysalis Records Limited.

7. I Can't Believe That You're In Love With Me - Featuring Joss Stone
(Gaskill - McHugh)
Arranged by: Nelson Riddle
Conducted by: Patrick Williams
Additional Engineer: Chuck Brungardt

8. Just In Time - Featuring Dave Koz (2:36)
(Comden - Green - Styne)
Arranged and Conducted by: Patrick Williams
Co-Produced by: Patrick Williams

9. Baby, It's Cold Outside - Featuring Martina McBride (3:01)
Arranged and Conducted by: Patrick Williams
Co-Produced by: Patrick Williams

10. King Of The Road - Featuring Kevin Spacey (2:28)
Original Arrangement by: Ernie Freeman
Adapted and Conducted by: Patrick Williams
Co-Produced by: Phil Ramone

11. You're Nobody 'Til Somebody Loves You - Featuring Big Bad Voodoo
Daddy & Shelby
Lynne (3:09)
(Cavanaugh - Morgan - Stock)
Arranged by: Joshua Levy (inspired by Nelson Riddle)
Co-Produced by: Phil Ramone, with Scotty Morris

12. Arrivederci Roma - Featuring Tiziano Ferro (2:45)
(Garinei - Giovanni - Ranucci - Sigman )
Original Arrangement by: Gus Levine
Additional Arrangement Adapted & Conducted by: Patrick Williams
Co-Produced by: Patrick Williams
Additional Engineer: Michele Canova Iorfida

13. Everybody Loves Somebody - Featuring Charles Aznavour (3:16)
(Coslow - Lane - Taylor)
Original Arrangement by: Ken Lane & Jimmy Bowen
Adapted by: Tom Ranier
Additional Engineer: Roland Guillotel
Artistic Adviser: Levon Sayan

14. Brahm's Lullaby A Capella - Dean Martin (2:05)
(Brahms - Traditional)
Orchestral Intro Arrangement by: Pete King
(p) 2007 Capitol Records, Inc.

(DVD contents)
Making Of Forever Cool
Classic Dean Martin film clips (details to be announced)
*All Tracks Recorded and Mixed at Capitol Studios, Hollywood
Additional Recording on "Arrivederci Roma" at Kaneepa Studios, Italy.
Additional Recording on "Everybody Loves Somebody" at Studio Guillaume
Tell, Paris, France.
Recorded, Mixed and Co-Produced by: Al Schmitt
Engineered by: Steve Genewick
Tracks 1, 2, 11, 13, 15 Recorded by: Charlie Paakkari
Executive Producers: Laura Lizer and Jane Ventom
Produced by: Rob Christie

Tracks 2, 10, 11, Co-Produced by: Phil Ramone
Tracks 8, 9, 12, Co-Produced by: Patrick Williams
Track 3, Produced by: Bobby Colomby
Original tracks Produced by: Lee Gillette and Jimmy Bowen
Mastered by: Ron McMaster

Drums: Gregg Field, Vinnie Colaiuta (track 4)
Piano: Tom Ranier, Mike Lang, Randy Waldman
Bass: Chuck Berghofer, Kevin Axt, Brian Bromberg
Guitar: John Chiodini, Jim Fox, James Harrah
Concert Master: Assa Drori
Alto Sax: Dan Higgins, Gary Foster, Sal Lozano
Tenor Sax: Bob Sheppard, Gene Cipriano, Vince Trombetta
Baritone Sax: Greg Huckins, Lee Callet
Trumpet: Wayne Bergeron, Warren Luening, Larry Lunetta, Larry McGuire,
Gary Grant, Rick Baptist, Charley Davis
Trombone: Charley Loper, Chauncey Welsch, Bob McChesney, George Bohannon,
Andy Martin, Bill Elton
Bass Trombone: Craig Gosnell, Richard Bullock
French Horn: Brian O'Connor, Kurt Snyder, Suzette Moriarty, Justin Hageman
Flute: Robert Shulgold, Stephen Kujala, Richard Mitchell
Tuba: John Van Houten Jr.
Vibes: Dan Greco
Accordion: Frank Marocco
Background Vocals: Joey Gian, Paula Salvatore, Rob Christie

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