CAROLINA BEACH, NC (Top40 Charts/ Glass Onyon PR) - Along the lines of 10cc, Be-Bop Deluxe, Roxy Music, Alex
Harvey and countless other bands of the UK Art-Rock movement in the '70s and early '80s comes City Boy, who also garnered much attention. In the course of their history, City Boy released several albums to much critical praise from fans and music press across both sides of the Atlantic. On November 10th foremost US reissue label Renaissance Records in conjunction with ItsAboutMusic.com (who have released all of the City Boy catalog) will be releasing the band's unreleased album from 1982 called 'It's Personal'.
Formed in the UK in the early 1970s, Lol Mason, Steve Broughton, Max Thomas and Mike Slamer were playing folk music in the Birmingham area. Towards the end of 1975 they were offered a contract by Phonogram records on the condition that they add drums and a bass. So Roger Kent and Chris Dunn were recruited. Although some critics wrote quite favorable reviews for 'City Boy' (1975) and 'Dinner At The Ritz' (1976), it was not until 1978 and their hit song "5-7-0-5" on the subsequent album 'Book Early' that the public began to take notice. The single went right into the Top 10 of the British charts, and the album entered the Top 30 in the album charts.
"We were on tour in Germany at the time, and I remember one of our managers talking to Steve and Lol for ages on the phone as we were lying around in this hotel room in Munich," Max Thomas recalled "Lol said 'Right, I've got an idea�we'll give them a telephone love-song - '5-7-0-5' (or something like that anyway!) So the vocal was re-recorded, the record company expressed delight, and promised to really plug the song, and lo and behold, out of the blue - because it seemed like that at the time - we had a hit single on our hands in the UK, two months before we were committed to a four month tour in America! Fine, we thought, with a bit of luck, we'll carry our success to the States and will become extremely rich and famous."
They were able to repeat their success with their 1979 album 'The Day The Earth Caught Fire' and its title song as a single release. City Boy had one more successful album with 'Heads Are Rolling' in 1980, which many critics believe to be their best, before their recording contract with Atlantic expired. "Atlantic had already written us off," said Thomas. "They responded to 'Heads' very lukewarmly, and delivered the last part of the advance most reluctantly for us to record 'It's Personal', which they never released. I think it was only released in Scandinavia because we were still signed to Polygram in certain territories. Zomba half-heartedly tried to sell 'It's Personal', but by 1982, all the contracts, including our management contract expired�and then the money ran out, and suddenly there were no more wages. And we were all out of a job, and out of a career."
Unable to secure a contract with a major label, the band released a single on their own City Boy label in 1982. After this failed completely to attract anyone's attention, the group split. Now much to the elation of City Boy fans worldwide, the band's final album 'It's Personal' has been reissued on CD from the master tapes.
City Boy 'It's Personal' will be available from Amazon, iTunes and your local retailer on November 10th. Other titles scheduled for release by Renaissance Records include Graham Parker & The Rumour 'Live In San Francisco 1979', Network - s/t and 'Nightwork', Duke Jupiter 'White Knuckle Ride', Fran King 'My Sweet Elixir', Phoenix - s/t and 'In Full View' (ex-Argent), Unicorn - 'Blue Pine Trees', 'Too Many Crooks' (prod. by David Gilmour), Nick Gravenites 'Bluestar' and Roxy Music 'Manifesto Alive' (live 1979).
For more information: www.itsaboutmusic.com
