Top40-Charts.com
Support our efforts,
sign up for our $5 membership!
(Start for free)
Register or login with just your e-mail address
Metal / Hard Rock 20 September, 2013

Jordan Rudess On "Dream Theater"

Hot Songs Around The World

APT.
Rose & Bruno Mars
746 entries in 29 charts
Ordinary
Alex Warren
227 entries in 22 charts
Birds Of A Feather
Billie Eilish
1033 entries in 25 charts
Die With A Smile
Lady Gaga & Bruno Mars
966 entries in 30 charts
Pink Pony Club
Chappell Roan
201 entries in 11 charts
Anxiety
Sleepy Hallow & Doechii
187 entries in 25 charts
Beautiful Things
Benson Boone
1228 entries in 27 charts
Messy
Lola Young
423 entries in 25 charts
Luther
Kendrick Lamar & SZA
184 entries in 14 charts
Camino Por La Selva
Luli Pampin
189 entries in 3 charts
A Bar Song (Tipsy)
Shaboozey
888 entries in 22 charts
Abracadabra
Lady Gaga
269 entries in 27 charts
Si Antes Te Hubiera Conocido
Karol G
360 entries in 13 charts
Adan Y Eva
Paulo Londra
177 entries in 8 charts
Jordan Rudess On "Dream Theater"
New York, NY (Top40 Charts/ Roadrunner Records) Dream Theater keyboardist Jordan Rudess talked to MusicRadar about the band's self-titled album, which will be available everywhere September 24. He goes through the album track by track, revealing how each song was written and assembled.

Says Jordan about "The Enemy Inside," "I think of 'The Enemy Inside' as a really good Dream Theater song that has all of the elements in a really concise way: It's got the hooky chorus; the grungy, metal-y guitar; and it also has the wacky keyboard stuff that I love to do. I like to offer some humor in the music. Sometimes there needs to be a bit of a smile in the middle of such drama."

Regarding "The Looking Glass," he says, "The song is kind of Rush -like, so if what I'm doing takes it out of the core too much, then I have to rethink what my approach is going to be. And that's OK—I love being inside the music because we're all working together to create a sound and a mood. My ego is in a very good place. When you hear me, you hear me, and when you don't, well, I'm still in there somewhere. That whole approach is prevalent in the song."

He also talks about the album's 22-minute closing track, "Illumination Theory," saying, "This is a great example of what Mike Mangini brings to us, which is this extreme rhythmic brain that can conceptualize very interesting ideas for rhythms that can go together. Like, 'If you play 10 bars of seven and you play four bars of five, it's going to sound really cool.' We would make notes and put these things together. That gave me a nice chance to pull out some music paper and write counterpoint stuff. I have these almost Bach / Gentle Giant things in there, and that was a lot of fun to work on."






Most read news of the week


© 2001-2025
top40-charts.com (S6)
about | site map
contact | privacy
Page gen. in 0.4565289 secs // 5 () queries in 0.0041558742523193 secs


live