ADAM ZWIERZ - "Non più andrai" - W. A. MOZART - FIGARO

ADAM ZWIERZ - BASS/BAS FIGARO'S ARIA - ARIA FIGARA - "Non più andrai" ACT 1 - I AKT OPERA: "LE NOZZE DI FIGARO" - "THE MARRIAGE OF FIGARO" - "WESELE FIGARA" MUSIC/MUZYKA: WOLFGANG AMADEUS MOZART LIBRETTO: LORENZO DA PONTE based on a stage comedy by Pierre Beaumarchais, "La folle journée, ou le Mariage de Figaro"(1784). ADAM ZWIERZ (BORN 6 MARCH 1945- ) REMARKABLE POLISH OPERA SINGER WITH A VERY DEEP BASS VOICE. ADAM ZWIERZ (URODZONY 6 MARCA 1945- ) WYBITNY POLSKI ŚPIEWAK OPEROWY - BAS O CHARAKTERYSTYCZNYM, WYJĄTKOWO NISKIM, GŁĘBOKIM, SILNYM GŁOSIE. NIEDOCENIONY ZA SWOJE ZNAKOMITE WYKONANIA OPEROWE SŁYNNYCH ARII NA BAS. TUTAJ JEGO WSPANIAŁE WYKONANIE SŁYNNEJ ARII FIGARA WOLFGANGA AMADEUSZA MOZARTA. "Non più andrai (,farfallone amoroso)" (You will not go any more, amorous butterfly) is an aria for bass from Mozart's 1786 opera The Marriage of Figaro, K. 492. It is sung by Figaro at the end of the first act. The Italian libretto of Le Nozze di Figaro was written by librettist Lorenzo Da Ponte, who collaborated with Mozart on two other operas, "Così fan tutte" and "Don Giovanni". Non più andrai, farfallone amoroso, notte e giorno d'intorno girando; delle belle turbando il riposo Narcisetto, Adoncino d'amor. Non più avrai questi bei pennacchini, quel cappello leggero e galante, quella chioma, quell'aria brillante, quel vermiglio donnesco color. Tra guerrieri, poffar Bacco! Gran mustacchi, stretto sacco. Schioppo in spalla, sciabla al fianco, collo dritto, muso franco, un gran casco, o un gran turbante, molto onor, poco contante! Ed invece del fandango, una marcia per il fango. Per montagne, per valloni, con le nevi e i sollioni. Al concerto di tromboni, di bombarde, di cannoni, che le palle in tutti i tuoni all'orecchio fan fischiar. Cherubino alla vittoria: alla gloria militar! You will frolic no more, lustful, amorous butterfly, Fluttering around night and day; Disturbing ladies in their sleep Little Narcissus, Adonis of love. No longer will you have these beautiful feathers, That light, romantic hat, That hair, that glowing countenance, That rosy, womanly complexion. Among soldiers, by Jove (Bacchus)! A big moustache, a little kit (knapsack). With a rifle (gun) on your shoulder (back), and a sabre/sable/sword on your flank, Standing up straight, hard faced (with your nose exposed), A big helmet, or a big turban, Plenty of honour, little pay! And instead of dancing the fandango, A march through the mud. Through mountains, through valleys, With snow and with the sun beating down. To the beat/music of the bugle (trumpets), Of bombards, and of cannons, Whose thunderous report Makes your ears ring. Cherubino, to victory: To glory in battle! Music: The aria is set in C major, in common time (common time) and is in the style of a military march. It is 114 bars long and takes about four minutes to perform. Its vocal range and tessitura covers C3 to E4. The melody often mimics the sound of a military bugle by concentrating on the natural harmonics (C--E--G--C). This effect is strengthened when horns are prominent several times in the orchestra. The final 14 bars are played entirely by the orchestra as the characters (in productions respecting the original stage direction Partono tutti alla militare) march off the stage in military fashion. The clip is in HD 720p. It was made by zawolaj - PAW in collaboration with Adam Zwierz - thank you for the photos and the recording from your home archive.