Quality early sixties soul from the Arlen label. Featuring the lead vocals of Little Floyd...his US group was formed in 1952 as the Four Dots in Atlanta, Georgia, USA. Their line-up featured Joseph Pope (6 November 1933, d. 16 March 1996), Charles Pope (b. 7 August 1936), Robert Lee Smith (b. 18 March 1936) and Horace Kay (b. 13 April 1934). Although such an early origin suggests longevity, it was not until 1960 that the group emerged with a single on Swan. Now dubbed the Tams (derived by their wearing of Tam O'Shanter hats on stage), they added a further member, Floyd Ashton (b. 15 August 1933), prior to signing with Bill Lowery, an Atlanta song publisher and entrepreneur. Among those already on his books were Joe South and Ray Whitley, two musicians who would work closely with the group. 'Untie Me', a South composition, was recorded at Fame and leased to Philadelphia's Arlen Records. The song became a Top 20 US R&B hit, but follow-up releases failed until 1963 when Lowery secured a new contract with ABC-Paramount Records. The Tams' first single there, 'What Kind Of Fool (Do You Think I Am)', reached the US Top 10 and established a series of Whitley-penned successes. His compositions included 'You Lied To Your Daddy' and 'Hey Girl Don't Bother Me', ideal material for Joe Pope's ragged lead and the group's unpolished harmonies.
After 1964, the group preferred Atlanta's Master Sound studio, by which time Albert Cottle (b. 1941, Washington, DC, USA) had replaced Ashton. South and Whitley continued their involvement, writing, playing on and producing various sessions, but the Tams had only one further US hit in 1968 with the bubbling 'Be Young, Be Foolish, Be Happy', which peaked on the Billboard R&B chart at 26 and reached the UK Top 40 in 1970. By the end of the 60s their mentors had moved elsewhere while the Master Sound house band was breaking up. Dropped by ABC, the Tams unsuccessfully moved to 1-2-3 and Capitol Records until a chance reissue of 'Hey Girl Don't Bother Me' became a surprise UK number 1 in 1971. They were not to chart again until 16 years later when their association with the Shag, a dance craze and subsequent 80s film, secured a further lifeline to this remarkable group, giving the group a UK Top 30 hit with 'There Ain't Nothing Like Shaggin''.
