Top40-Charts.com
Support our efforts,
sign up for our $5 membership!
(Start for free)
Register or login with just your e-mail address
Movies and TV 30 November, 2004

Music on Film and TV: The Truth Comes Out at the Hollywood Reporter/Billboard Conference

Hot Songs Around The World

APT.
Rose & Bruno Mars
433 entries in 29 charts
Die With A Smile
Lady Gaga & Bruno Mars
658 entries in 29 charts
Bad Dreams
Teddy Swims
228 entries in 19 charts
Sailor Song
Gigi Perez
304 entries in 19 charts
A Bar Song (Tipsy)
Shaboozey
774 entries in 22 charts
That's So True
Gracie Abrams
316 entries in 21 charts
Si Antes Te Hubiera Conocido
Karol G
305 entries in 13 charts
The Emptiness Machine
Linkin Park
226 entries in 21 charts
Birds Of A Feather
Billie Eilish
830 entries in 25 charts
Blank Space
Taylor Swift
377 entries in 24 charts
Stargazing
Myles Smith
467 entries in 20 charts
Espresso
Sabrina Carpenter
848 entries in 27 charts
Last Christmas
Wham!
1268 entries in 26 charts
Tu Falta De Querer
Mon Laferte
209 entries in 3 charts
LOS ANGELES (Scott G/ www.gmanmusic.com) - "Forget the name of this thing," one audience member said of The Hollywood Reporter Billboard Film and TV Music Conference, "it's really all about the politics and money it takes to put your music in a flick." More than one attendee privately agreed.

Dealing with the truth about the industry were more than two dozen speakers, including Glen Ballard (Alanis Morissette, Michael Jackson, many film projects) Mark Mothersbaugh (Devo and soundtracks to "Rugrats" and dozens of films), Chris Douridas (KCRW, Dreamworks), and Garry Marshall (director of "Pretty Woman").

Among the notable comments during the two-day event:

* Glen Ballard: The record industry is to blame for much of its current trouble because of "releasing too many albums not worth $15 or 45 minutes of an audience's time."

* Glen Ballard: "Blazing creativity is rarely recognized in the beginning... If imitation replaces inspiration, then we will elevate mediocrity far beyond what we've already done."

* Mark Mothersbaugh: "I always liked the creepy way commercials work their music into your brain. They're subversive."

* Tamara Conniff, Co-Executive Editor, Billboard: "Only go into this industry if you wake up with an ache to write or create."

* Lia Vollack, President of Worldwide Music for Sony: "The final song in a film's end credits might be called 'the janitor's song.'"

* Josh Rabinowitz of Young & Rubicam: "When I first started working in music at an ad agency, I couldn't figure out why so many mediocre people were getting to work on some great projects. Then it hit me: it was all about their connections."

* Garry Marshall: "I like using great songs in my pictures. You know, not the ones that are there for the marketing that you bury by having five seconds of it on the radio as a car drives up to the camera."

* Tamara Conniff: "Imagine watching a movie without the music. It would lack drama, intensity, and excitement."

The full article, which also contains URLs to many of the participants and/or their companies, is available free on the NARIP (National Association of Record Industry Professionals) site:
https://www.narip.com
or to go directly to the full text:
https://www.narip.com/index.php?page=article/HR

Scott G writes and records as THE G-MAN, and his work may be found at
https://www.narip.com, https://www.delvianrecords.com,
https://www.myspace.com/thegman, and his own site:
https://www.gmanmusic.com.






Most read news of the week


© 2001-2025
top40-charts.com (S6)
about | site map
contact | privacy
Page gen. in 0.0077240 secs // 4 () queries in 0.0047869682312012 secs