(BMI London Awards) - American performing right organization Broadcast
Music Inc. (BMI) saluted the top European songwriters, composers and publishers at its 2006 London Awards, staged Oct. 3 in the Ballroom of London's Dorchester Hotel. In addition to honoring the past year's most-played songs on U.S. radio and television, the gala dinner and awards ceremony also recognized Kinks frontman and legendary songwriter Ray Davies (PRS) as a BMI Icon for his "enduring influence on generations of music makers."
In a written tribute to Davies which was read at the event, Pete Townshend called Davies the, "true Laureate of British popular music." With artists as diverse as Morrissey, Blur and Oasis credited their sound to Davies, the co-founder, lead singer and rhythm guitarist of the Kinks, one of the most long-lived and influential rock groups of the British Invasion. As the band's chief songwriter, he is the pen behind such Kinks classics as "You Really Got Me," "All Day and All of the Night," "A Well Respected Man," "Waterloo Sunset," "Tired of Waiting For You," "Sunny Afternoon," "Lola" and "Come Dancing."
In addition to Davies, top award winners included "Listen to Your Heart," written by Per Gessle and Mats Persson, and published by Jimmy Fun Music (all STIM), was named Song of the Year and received one of the organization's highest accolades, the Robert S. Musel Award. "Feel Good Inc.," co-written by Gorillaz members Damon Albarn and Jamie Hewlett (both PRS), along with De La Soul's David Jolicoeur, was named BMI's College Song of the Year for tallying the most performances on American college radio. The BMI Dance Award went to "Everytime We Touch," written by Stuart MacKillop, Maggie Reilly (both PRS) and Peter Risavy (GEMA), and published by Mambo/Sony/ATV Music Publishing Germany (GEMA).
Now celebrating more than 65 years in business, BMI is an American performing right organization that represents more than 300,000 songwriters, composers and publishers in all genres of music. With a repertoire of more than 6.5 million musical works from around the world, the non-profit-making corporation collects license fees from businesses that use music, which it then distributes as royalties to the musical creators and copyright owners it represents.
